Spartiti Musica classica (barocca) per coro misto (SATB) e basso continuo

La nota cantata ecclesiastica di Bach "Schwingt freudig euch empor" BWV 36, eseguita per la prima volta nella sua versione definitiva nella Nikolaikirche di Lipsia il 1° Avvento 1731, risale a una can...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Sebbene "Warum betrübst du dich, mein Herz" BWV 138 sia basato sull'omonimo inno, non è una delle cantate corali di Bach. In questa insolita composizione del primo anno di Bach, gli ulteriori versi de...

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

La cantata in due parti del terzo ciclo di cantate di Bach fu eseguita per la prima volta il 4 agosto 1726 (settima domenica dopo la Trinità). Il coro d'apertura, su larga scala e interamente segnato,...

Con la Missa Sancti Amandi, composta nel 1776, Haydn creò una messa festiva "in pieno", cioè segnata per coro e orchestra senza solisti vocali. Sebbene sia molto densa, quest'opera è caratterizzata da...

Probably following a special Leipzig tradition, Bach added four extra movements to the first version of his Magnificat BWV 243a (in E flat major); these can be inserted in performances of the Magnific...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

La cantata in sei movimenti BWV 164 fu eseguita per la prima volta a Lipsia il 26 agosto 1725. Il testo fu scritto dal compositore di cantate di Weimar Salomon Franck e apparve nella sua raccolta "Eva...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

La cantata "Ärgre dich, o Seele, nicht" BWV 186 è in un certo senso l'opera gemella della ben più nota cantata "Herz und Mund und Tat und Leben" BWV 147. Entrambe furono composte nell'Avvento del 1716...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

La cantata "Nun danket alle Gott" BWV 192 si basa esclusivamente sul noto inno. È quindi una delle poche cantate corali che non contengono altri testi poetici liberi. Di conseguenza, non ci sono nemme...