Spartiti Musica classica (barocca) per coro misto (SATB), 2 violini e basso continuo

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

La cantata in sei movimenti BWV 164 fu eseguita per la prima volta a Lipsia il 26 agosto 1725. Il testo fu scritto dal compositore di cantate di Weimar Salomon Franck e apparve nella sua raccolta "Eva...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

La cantata "Nun danket alle Gott" BWV 192 si basa esclusivamente sul noto inno. È quindi una delle poche cantate corali che non contengono altri testi poetici liberi. Di conseguenza, non ci sono nemme...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Sebbene "Warum betrübst du dich, mein Herz" BWV 138 sia basato sull'omonimo inno, non è una delle cantate corali di Bach. In questa insolita composizione del primo anno di Bach, gli ulteriori versi de...

Der berühmteste Chorsatz des Oratoriums jetzt auch als Einzelausgabe!

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

La cantata in due parti del terzo ciclo di cantate di Bach fu eseguita per la prima volta il 4 agosto 1726 (settima domenica dopo la Trinità). Il coro d'apertura, su larga scala e interamente segnato,...

L'incarico di sacerdote e i lunghi anni come direttore musicale dell'Ospedale della Pietà (una grande orchestra a Venezia) lo hanno entrambi occasionato e ispirato a comporre musica sacra in grande va...

Con la Missa Sancti Amandi, composta nel 1776, Haydn creò una messa festiva "in pieno", cioè segnata per coro e orchestra senza solisti vocali. Sebbene sia molto densa, quest'opera è caratterizzata da...

Probably following a special Leipzig tradition, Bach added four extra movements to the first version of his Magnificat BWV 243a (in E flat major); these can be inserted in performances of the Magnific...

The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...

La cantata per la XX domenica dopo la Trinità Ach, ich sehe, itzt, da ich zur Hochzeit gehe BWV 162 fu eseguita per la prima volta il 25 ottobre 1716 nella Schlosskirche di Weimar. Bach eseguì nuovame...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...