Spartiti Musica classica (barocca) per 2 violini e basso continuo

La composizione del maestro del barocco viennese, che appare qui nella sua prima edizione, combina la freschezza e l'eleganza meridionale con un'espressione intima. L'invocazione profondamente sentita...

La composizione del maestro del barocco viennese, che appare qui nella sua prima edizione, combina la freschezza e l'eleganza meridionale con un'espressione intima. L'invocazione profondamente sentita...

Dem sechsstrophigen Lied liegt die Melodie "Herzlich tut mich verlangen" zugrunde, die Buxtehude sowohl als Solokantate in Herzlich tut mich verlangen BuxWV 42 als auch als Choralvorspiel mit dem Tite...

The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks...

The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks...

The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks...

Wir ehren den vornehmlich in Wien tätigen italienischen Barockmeister Caldara anlässlich seines 350. Geburtstages mit einer weiteren Erstedition aus seinem geistlichen Vokalschaffen: der Vertonung des...

Das kleine geistliche Konzert 'O du allersüssester und liebster Herr Jesu' basiert auf einer Zusammenstellung von Gebetstexten. Sie erschien 1646 in einem Sammeldruck des Organisten an der Breslauer E...

Das kleine geistliche Konzert 'O du allersüssester und liebster Herr Jesu' basiert auf einer Zusammenstellung von Gebetstexten. Sie erschien 1646 in einem Sammeldruck des Organisten an der Breslauer E...

Das kleine geistliche Konzert 'O du allersüssester und liebster Herr Jesu' basiert auf einer Zusammenstellung von Gebetstexten. Sie erschien 1646 in einem Sammeldruck des Organisten an der Breslauer E...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

Wir ehren den vornehmlich in Wien tätigen italienischen Barockmeister Caldara anlässlich seines 350. Geburtstages mit einer weiteren Erstedition aus seinem geistlichen Vokalschaffen: der Vertonung des...

La partitura è protetta da copia nel caso di una singola copia. Questo viene omesso solo se la partitura corale o il materiale orchestrale vengono acquistati contemporaneamente.

Wir ehren den vornehmlich in Wien tätigen italienischen Barockmeister Caldara anlässlich seines 350. Geburtstages mit einer weiteren Erstedition aus seinem geistlichen Vokalschaffen: der Vertonung des...