Spartiti Michael Sweeney per orchestra jazz

Con uno schema ritmico in 3/4 quasi ipnotico, ecco una versione efficace e allo stesso tempo facile di questo standard reso famoso da John Coltrane. I sassofoni sono presenti nel primo ritornello, poi...

Con uno schema ritmico in 3/4 quasi ipnotico, ecco una versione efficace e allo stesso tempo facile di questo standard reso famoso da John Coltrane. I sassofoni sono presenti nel primo ritornello, poi...

Con uno schema ritmico in 3/4 quasi ipnotico, ecco una versione efficace e allo stesso tempo facile di questo standard reso famoso da John Coltrane. I sassofoni sono presenti nel primo ritornello, poi...

Con uno schema ritmico in 3/4 quasi ipnotico, ecco una versione efficace e allo stesso tempo facile di questo standard reso famoso da John Coltrane. I sassofoni sono presenti nel primo ritornello, poi...

Con uno schema ritmico in 3/4 quasi ipnotico, ecco una versione efficace e allo stesso tempo facile di questo standard reso famoso da John Coltrane. I sassofoni sono presenti nel primo ritornello, poi...

Con uno schema ritmico in 3/4 quasi ipnotico, ecco una versione efficace e allo stesso tempo facile di questo standard reso famoso da John Coltrane. I sassofoni sono presenti nel primo ritornello, poi...

Con uno schema ritmico in 3/4 quasi ipnotico, ecco una versione efficace e allo stesso tempo facile di questo standard reso famoso da John Coltrane. I sassofoni sono presenti nel primo ritornello, poi...

Con uno schema ritmico in 3/4 quasi ipnotico, ecco una versione efficace e allo stesso tempo facile di questo standard reso famoso da John Coltrane. I sassofoni sono presenti nel primo ritornello, poi...

Con uno schema ritmico in 3/4 quasi ipnotico, ecco una versione efficace e allo stesso tempo facile di questo standard reso famoso da John Coltrane. I sassofoni sono presenti nel primo ritornello, poi...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...