Spartiti Mark Taylor per orchestra jazz

Questo arrangiamento del classico preferito cattura brillantemente il genio di Chuck Mangione. Cambi di assolo per la tromba. La tromba solista suona il Do alto, i tromboni 1-3 suonano il Sol alto.

If you're looking for a flagwaver that'll set the audience on the edge of their seats, look no further! Mark Taylor pulls out all the stops with a chart that's full of great counterpoint, powerful ens...

Although this tuneful standard has been recorded by a number of jazz artists through the years, Beverly Kenney's version from 1957 caught everyone's attention recently thanks to the television commerc...

Questo brano standard del 1945 è rimasto sempre uno dei preferiti dai musicisti jazz. Caratterizzato da una melodia senza tempo, da parti di sottofondo magnificamente segnate e da uno stile mediamente...

This familiar standard, first popular in the '20s and '30s, has been revisited over the years in a variety of styles. Here is an attractive, smooth samba version for vocal solo (opt. tenor sax) that i...

Here's a new twist on an old classic! If you're looking for something a little different, Mark's fast samba may be just right for you. Features Trombones off the top, then later a sax soli followed by...

This well-known composition by Horace Silver is written in a moderate Latin style. Mark's version is based on Horace's own classic arrangement and features some very nice ensemble writing. Includes a...

Mark Taylor has created an effective new treatment of a great standard song. Alternating between a samba feel and swing, this chart also uses contrasting textures of small group playing and full ensem...

Written in a soft Latin style, here is an attractive setting for solo flugelhorn on this Richard Rodgers favorite. The range is very comfortable for young players and all of the solo lines are written...

The music of Vince Guaraldi is always melodic and fresh sounding and you will probably recognize this from the TV Charlie Brown specials. Arranged here in a moderate samba style, the opening theme is...

This Mark Taylor original is written in a moderate samba style and starts with a quartet of alto, tenor, trumpet and trombone at the top. Also featured are ensemble riffs trading with solo drum fills....

What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ense...

It's not very often that you see the name Mozart appears on a jazz chart! Mark Taylor cranks up the creative juices as he features a light samba groove on a familiar classical theme. Slipping into a s...

Composed in a light Bossa style, this is a great sounding feature for flugelhorn. Utilizing a wealth of orchestration colors in the accompaniment and a comfortable medium tempo, this is a terrific cho...

Recorded by the Cannonball Adderley Quintet in the 1960s, this distinctive samba was composed by Cannonball's brother Nat. Featuring a relaxed Latin groove and the familiar riff-like melodies, Mark's...

At the peak of the big band era, saxophonist, composer and bandleader Charlie Barnet recorded his famous version of Cherokee followed shortly by this second big hit. Treated here in a samba style, Sky...

The lush harmonies and flowing melody of this Ellington favorite are set in a medium samba style in this creative arrangement that takes full advantage of the six-horn format. In addition to full ense...

Although the first hit recording of this enduring standard was by the Glenn Miller Orchestra in 1940, The Nearness of You has remained popular through the ages with recordings by countless artists. Ar...

From Dizzy Gillespie's Afro-Cuban stylistic period, here is his delightfully infectious Fiesta Mojo set in a bouncy medium samba groove. A small group starts things off (including optional flute) supp...

Recorded by the acclaimed Cannonball Adderley Quintet in the 1960s, 'Jive Samba' became one of Nat Adderley's best-known standards. Arranged here for little big band and in a moderate cha-cha style, t...

Originally composed by Mark Taylor four decades earlier, Love Beams proves its staying power with a new recording on Mark's big band CD To the Edge. With its easy going bossa style and gently flowing...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Here's Dizzy Gillespie's classic in an outstanding Latin setting for full jazz ensemble by Mark Taylor. Just what you would expect from a quality arranger working with a quality tune, this smokin' cha...

Mark Taylor has taken this Stanley Turrentine jazz classic and crafted an excellent bluesy chart for younger players. The style is medium slow swing and the minor changers are great for soloing. A rea...