Spartiti Mark-Anthony Turnage per orchestra

This work was commissioned by the Canary Islands Festival, the Royal Concertgebouw Orchestra and the Chicago Symphony Orchestra. It was composed in 2009 and first performed on 21 January 2010 at Audit...

Speranza ist wohl bislang Turnages bedeutendstes Orchesterwerk und kommt der Form einer Symphonie wohl so nahe, wie keine andere seiner Kompositionen. Die vier Sätze sind überschrieben mit dem arabisc...

This work was commissioned by the Rotterdam Philharmonic Orchestra in honour of Silvia Tóth and dedicated to Hans Werner Henze. It was composed in 2012-13 and first performed on 10 October 2013 at De...

Das Stück startet mit einem Satz im eruptivsten und scharfkantigsten Stil des Komponisten und setzt sich fort mit einer Musik von prahlerischer Überschwänglichkeit, deren eigensinnige Lyrik Turnages c...

This 25 minute work was jointly commissioned by Borusan Istanbul Philharmonic Orchestra, Philharmonie Essen and the Trans-Siberian Art Festival. It was first performed on 19 October 2017 at the Lutfi...

Written in memory of Kai Scheffler, principal cellist and a founder member of the Ensemble Modern in Germany, who died tragically young in 1989, Kai is one of Turnage's key works. Its tangy instrument...

Mark-Anthony Turnage was commissioned to compose Riffs and Refrains by the Hallé Concerts Society for the Hallé and soloist Michael Collins. The premiere at Bridgewater Hall in Manchester was given un...

A 16-minute orchestral tribute to the city of Chicago commissioned by the Serge Koussevitzky Foundation as part of the composer's residency with the Chicago Symphony Orchestra and first performed in 2...

A 20-minute work written for large orchestra and first performed in 2013. The title is a reference to the Beethoven Frieze by the Austrian artist Gustav Klimt, a series of frescoes inspired by the fin...

Commissioned by the BBC to inaugurate Birmingham's Symphony Hall on 12 June 1991, the sense of optimism surrounding that event is exactly mirrored in Momentum's long melodic lines and vibrant rhythms,...

The work is based on a tune called The Nag written by the jazz guitarist/composer John Scofield, of whom I have long been a fan and with whom I worked closely when writing Blood on the Floor (Mark-Ant...

The work is based on a tune called The Nag written by the jazz guitarist/composer John Scofield, of whom I have long been a fan and with whom I worked closely when writing Blood on the Floor (Mark-Ant...