Spartiti Mark-Anthony Turnage per ensemble

Available together for the first time are three piano trios from Mark-Anthony Turnage: A Slow Pavane (2005), A Fast Stomp (2005) and A Short Procession (2004).A Slow Pavane takes something of the sole...

Das Stück wurde von dem IMS Prussia Cove aus Anlass des 40-jährigen Bestehens von Open Chamber Music' in Auftrag gegeben, das von der Ernst von Siemens Musikstiftung gegründet wurde. Komponiert wurde...

Das Stück wurde von dem IMS Prussia Cove aus Anlass des 40-jährigen Bestehens von Open Chamber Music' in Auftrag gegeben, das von der Ernst von Siemens Musikstiftung gegründet wurde. Komponiert wurde...

Emotions from intense anger to morbid despair are conveyed through this powerful vocal work depicting the viewpoints of poets from the Great War. Mark-Anthony Turnage's 'The Torn Fields' sets the word...

An Invention on 'Solitude' is typical of much of the music Turnage has written for chamber ensembles: in contrast to the flamboyant contrasts and dangerous edge to his orchestral music, this is quiet,...

Emotions from intense anger to morbid despair are conveyed through this powerful vocal work depicting the viewpoints of poets from the Great War. Mark-Anthony Turnage's 'The Torn Fields' sets the word...

This short trio combines angular lines and troubling chromaticism to create a highly effective piece of mood music with an empty, eerie feel to it. A beautiful and poignant work in memory of the celli...

This short trio combines angular lines and troubling chromaticism to create a highly effective piece of mood music with an empty, eerie feel to it. A beautiful and poignant work in memory of the celli...

This work was commissioned by Ensemble Modern. It was composed in 2003 and first performed on 26 March 2004 at Alte Oper, Frankfurt, Germany by Ensemble Modern, conducted by Oliver Knussen. The UK edi...

One of the movements in Scorched (arrangements of seventeen tunes by John Scofield for jazz trio and orchestra) has a coda, which repeats a dense, two-bar tag which sounded like it could be developed....

One of the movements in Scorched (arrangements of seventeen tunes by John Scofield for jazz trio and orchestra) has a coda, which repeats a dense, two-bar tag which sounded like it could be developed....