Spartiti Mario Castelnuovo-Tedesco per canto

Gli Scherzi per musica di Messer Francesco Redi di Mario Castelnuovo-Tedesco rappresentano un esempio di canzone da camera italiana del primo Novecento. Su testi di Francesco Redi, il compositore crea...

Gli Scherzi per musica di Messer Francesco Redi di Mario Castelnuovo-Tedesco rappresentano un esempio di canzone da camera italiana del primo Novecento. Su testi di Francesco Redi, il compositore crea...

Gli Scherzi per musica di Messer Francesco Redi di Mario Castelnuovo-Tedesco rappresentano un esempio di canzone da camera italiana del primo Novecento. Su testi di Francesco Redi, il compositore crea...

Divided into three sections, this wordless melody opens with a 'sad and impassioned' chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows, in which a 'lively and stu...

Reprint - Stimmlage: m

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Vogelweide Op. 186