Spartiti Mario Castelnuovo-Tedesco per canto

Divided into three sections, this wordless melody opens with a 'sad and impassioned' chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows, in which a 'lively and stu...

Gli Scherzi per musica di Messer Francesco Redi di Mario Castelnuovo-Tedesco rappresentano un esempio di canzone da camera italiana del primo Novecento. Su testi di Francesco Redi, il compositore crea...

Gli Scherzi per musica di Messer Francesco Redi di Mario Castelnuovo-Tedesco rappresentano un esempio di canzone da camera italiana del primo Novecento. Su testi di Francesco Redi, il compositore crea...

Gli Scherzi per musica di Messer Francesco Redi di Mario Castelnuovo-Tedesco rappresentano un esempio di canzone da camera italiana del primo Novecento. Su testi di Francesco Redi, il compositore crea...

Immerse yourself in the fascinating world of 1920s art song: The "3 Heine-Lieder" (1926) combine Heinrich Heine's timeless, delicate poetry with an expressive musical language. This sheet music editio...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Vogelweide Op. 186

Immerse yourself in a world of poetry, melancholy, and musical depth with "The Divan of Moses Ib Ezra Op. 2". This extraordinary song cycle for voice and guitar brings together the poignant verses of...