Spartiti Larry Moore per orchestra d'archi

A classic ballad from the Carpenters works well for string ensemble with this arrangement by Larry Moore. A good, solid teaching piece with contemporary pop style and harmonies.

A classic ballad from the Carpenters works well for string ensemble with this arrangement by Larry Moore. A good, solid teaching piece with contemporary pop style and harmonies.

Un'abbagliante fusione di pop e classica! L'innovativo arrangiamento di Larry Moore della hit di Billy Joel, Turn the Lights Back On, è un must per le orchestre d'archi contemporanee. Con ritmi incalz...

Un'abbagliante fusione di pop e classica! L'innovativo arrangiamento di Larry Moore della hit di Billy Joel, Turn the Lights Back On, è un must per le orchestre d'archi contemporanee. Con ritmi incalz...

Un'abbagliante fusione di pop e classica! L'innovativo arrangiamento di Larry Moore della hit di Billy Joel, Turn the Lights Back On, è un must per le orchestre d'archi contemporanee. Con ritmi incalz...

Un'abbagliante fusione di pop e classica! L'innovativo arrangiamento di Larry Moore della hit di Billy Joel, Turn the Lights Back On, è un must per le orchestre d'archi contemporanee. Con ritmi incalz...

Un'abbagliante fusione di pop e classica! L'innovativo arrangiamento di Larry Moore della hit di Billy Joel, Turn the Lights Back On, è un must per le orchestre d'archi contemporanee. Con ritmi incalz...

Un'abbagliante fusione di pop e classica! L'innovativo arrangiamento di Larry Moore della hit di Billy Joel, Turn the Lights Back On, è un must per le orchestre d'archi contemporanee. Con ritmi incalz...

Un'abbagliante fusione di pop e classica! L'innovativo arrangiamento di Larry Moore della hit di Billy Joel, Turn the Lights Back On, è un must per le orchestre d'archi contemporanee. Con ritmi incalz...

Un'abbagliante fusione di pop e classica! L'innovativo arrangiamento di Larry Moore della hit di Billy Joel, Turn the Lights Back On, è un must per le orchestre d'archi contemporanee. Con ritmi incalz...

Here's the iconic song from the dean of American bluegrass, Earl Scruggs. His banjo style set the musical path for all who followed him. Larry Moore has captured the infectious and driving rhythm that...

Here's the iconic song from the dean of American bluegrass, Earl Scruggs. His banjo style set the musical path for all who followed him. Larry Moore has captured the infectious and driving rhythm that...

Here's the iconic song from the dean of American bluegrass, Earl Scruggs. His banjo style set the musical path for all who followed him. Larry Moore has captured the infectious and driving rhythm that...

Here's the iconic song from the dean of American bluegrass, Earl Scruggs. His banjo style set the musical path for all who followed him. Larry Moore has captured the infectious and driving rhythm that...

Here's the iconic song from the dean of American bluegrass, Earl Scruggs. His banjo style set the musical path for all who followed him. Larry Moore has captured the infectious and driving rhythm that...

Here's the iconic song from the dean of American bluegrass, Earl Scruggs. His banjo style set the musical path for all who followed him. Larry Moore has captured the infectious and driving rhythm that...

Here's the iconic song from the dean of American bluegrass, Earl Scruggs. His banjo style set the musical path for all who followed him. Larry Moore has captured the infectious and driving rhythm that...

Here's the iconic song from the dean of American bluegrass, Earl Scruggs. His banjo style set the musical path for all who followed him. Larry Moore has captured the infectious and driving rhythm that...

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.