Spartiti Kenneth Hesketh pianoforte

Each of the 'Three Japanese Miniatures' is a new challenge to the pianist: In each piece, a different playing technique is developed in a subtle and concentrated way.

This short piano work is one of Hesketh's most successful, taken from his opera The Overcoat - it would be an ideal opener to any recital programme.

In his programme note, Hesketh describes a conceit as an extended metaphor which can govern part of or an entire poem thereby leading to a more sophisticated understanding of the subject. Within the 2...

The title of this work is a reference to the poem Ode to a Nightingale by John Keats. Important images from the poem are freely connected to suggest musical gestures and contours. Such phrases as peri...

Each of the 'Three Japanese Miniatures' is a new challenge to the pianist: In each piece, a different playing technique is developed in a subtle and concentrated way.

This short piano work is one of Hesketh's most successful, taken from his opera The Overcoat - it would be an ideal opener to any recital programme.

In his programme note, Hesketh describes a conceit as an extended metaphor which can govern part of or an entire poem thereby leading to a more sophisticated understanding of the subject. Within the 2...

The title of this work is a reference to the poem Ode to a Nightingale by John Keats. Important images from the poem are freely connected to suggest musical gestures and contours. Such phrases as peri...

Vecherinka is the Russian word for party or festive gathering. The party to which the work refers is taken from the first act of my opera, The Overcoat (after Gogol). This party celebrates the new coa...

Based on material from Hesketh's opera 'The Overcoat', this miniature tone poem depicts the unforgivingness the cold Russian winter. It is a highly-charged work, contrasting thunderous, rolling shiver...