Spartiti Juliana Hodkinson per ensemble

1999. For Soprano, Bass recorder and Guitar.

All That We Cannot Say (2001) for Oboe and Cello (with two assistants).

Inapparent Air And Aviary for small Ensemble was composed by Juliana Hodkisnon in 2004. Written for Enemsble Reconsil, Vienna.

When the wind blows was written for Catherine Laws, and first performed at Peninsula Arts, Plymouth, 18th March 2009. I dedicate this piece to my son, Magnus Yarra; I wrote it during our first months...

Prompt, Immediate, Now / Very Restrained And Cautious for Clarinet, Percussion, Viola, Cello and Audio Samples by Juliana Hodkinson was composed in 2013.

Parts for Prompt, Immediate, Now / Very Restrained And Cautious by Juliana Hodkinson, for Clarinet, Percussion, Viola, Cello and Audio Samples.

Angel View by Juliana Hodkinson, scored for seven or more performers and electronics. 'Angel View is an assemblage of urban and musical debris, somewhere between a wordless live radio play, enacted fi...

The Coastline Piece III: West by Juliana Hodkinson, for amplified Ensemble and sound files for stereo playback

Turbulence - or, 'the underlying forces usually hidden'- an Opera in three scenes by Juliana Hodkinson (2013). Libretto by Cynthia Troup. For soprano voice with electronic pocket piano* and groovebox*...

Electronics for All My Friends Really Are Superheroes by Juliana Hodkinson. All My Friends Really Are Superheroes was commissioned by Samuel Stoll, and first performed by him atTate Britain, London,...

Sagte Er, Dachte Ich for Chamber Ensemble was composed by Juliana Hodkinson in 1999.