Spartiti Johnny Mercer per orchestra jazz

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Ecco la nostra rivisitazione del bellissimo brano di Nelson Riddle scritto per Ella Fitzgerald. Abbiamo adattato questo schema per renderlo suonabile con una normale formazione di big band 5444, pur m...

This well-known standard from the 1940s never sounded quite like this! Featuring a slow, simmering shuffle funk style, the rhythm section lays down the groove with the trombone section playing the tun...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...