Spartiti John Rutter per coro misto

The text Justus cor suum tradet is taken from Ecclesiasticus and is a Vespers antiphon for the Common of One Confessor. Compositional techniques such as word-painting and the exploration of a broad te...

This is a tale of witchcraft and sorcery in music and words, thrilling, entertaining and occasionally bizarre, and enlivened hugely by an assortment of comical organ effects. The character of Mr Majei...

From the collection John Rutter Carols for SA and Men, this gentle yet uplifting carol was originally commissioned for the Choir of King's College, Cambridge. Rutter's gift for melody is in evidence t...

The string accompaniment is available on hire and for sale.

A serene setting of the familiar New Hampshire text. Carter's writing for the voices - they repeatedly begin a phrase in unison and then divide into rich harmonies - is particularly effective in evoki...

This set contains the following parts: 4 x vln I, 4 x vln II, 3x vla, 2 x vc, 1 x db.

An incandescent setting of versicles and responses for Evensong. The music is haunting in its simplicity, supporting and illuminating the text to great effect. The second set includes an account of Th...

For SATB and piano. Let's begin again is the finale from John Rutter's 'musical fable' The Reluctant Dragon, and makes a perfect gentle encore or leave-taking piece. Also available in Encores for Choi...

The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for orchestra without organ is also a...

The composer writes: 'The piano repertoire abounds with pieces that dazzle the listener with displays of virtuosity. I decided to compose music which allowed the sound of just one note at a time to be...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter. I would be true has been recorded by the Cambridge Singers on the CD This is the Da...

For SATB unaccompanied with short passages for soprano solo or semi-chorus.

Part of the John Rutter Anniversary Edition, this a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong.

For SSAATB unaccompanied.

A practical edition of the extremely famous work by Allegri.

This setting can be found both in Five Traditional Songs and Folk Songs for Choirs 1. The text is simple, while the arrangement is varied and charming.

For SATB unaccompanied. This short, eloquent Benediction sets words from St Patrick's Breastplate (5th century). Also available in John Rutter Anthems.

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own.

Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter: a stirring combination of music and text that was also used at the funeral of Diana...

I my Best-Beloved's am was written in 1999 for the BBC Singers and focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Fr...

This joyous, dance-like setting of Edward Lear's famous nonsense poem 'The Owl and the Pussy-cat' is taken from Rutter's Five Childhood Lyrics, a collection of unaccompanied pieces inspired by rhymes...

For SATB unaccompanied. Described by Elgar as an elegy for unaccompanied chorus, this mournful, reverent setting was composed for a service commemorating Queen Victoria on the anniversary of her death...

For SSAATTB unaccompanied.