Spartiti John Corigliano per canto

From the popular opera The Ghosts of Versailles. The plot revolves around the playwright Beaumarchais, who attempts to seduce Marie Antoinette's ghost, with the help of characters from his plays Barbe...

Text by Mark Adamo. Pulp fiction meets contemporary art song in this witty new vocal work from the composer of The Ghosts of Versailles.

The Aria Of The Worm from The Ghosts Of Versailles is arranged here for Tenor Voice with Piano accompaniment. This edition includes an informative introduction to the work.

From the popular opera The Ghosts of Versailles. The plot revolves around the playwright Beaumarchais, who attempts to seduce Marie Antoinette's ghost, with the help of characters from his plays Barbe...

From the popular opera The Ghosts of Versailles. The plot revolves around the playwright Beaumarchais, who attempts to seduce Marie Antoinette's ghost, with the help of characters from his plays Barbe...

Soprano and Piano In this extremely emotional aria from Corigliano's popular opera, the ghost of Marie Antoinette relives the unbearable memory that forever haunts her: the final moments of agony and...

Duet for Two Sopranos (Or Soprano and Mezzo-Soprano) and Piano. From John Corigliano's stunning opera, The Ghost of Versailles, with a libretto by William M. Hoffman.

Corigliano's Mr. Tambourine Man: Seven Poems of Bob Dylan was a commission by The Carnegie Hall Corporation for Sylvia McNair and was premiered at her Carnegie Hall recital given March 15, 2002 with M...

Suggested by La Mère coupable of Pierre-Augustin Caron de Beaumarchais. Libretto by William M. Hoffman. Commissioned by the Metropolitan Opera Company for its 100th anniversary.

Includes: Dodecaphonia, Marvelous Invention, and End of the Line.

She Must Stay is the final soprano aria from Corigliano's 1991 opera 'The Ghosts of Versailles', sung by Marie Antoinette. The aria is extracted from the newly published first edition of the vocalscor...

Song Number 2 from The Cloisters for Voice and Piano. Poem by William M. Hoffman.

Song Number 4 from The Cloisters for Voice and Piano. Poem by William M. Hoffman.

Reduction from the work for Tenor and Orchestra.