Spartiti Hannah Lash per ensemble

In writing Music for Eight Lungs I wanted to treat the voice similarly to the instruments, so that the piece would weave all four parts into a fabric equally. But I also wanted to play with our percep...

Subtilior, Lamento is a piece that draws some inspiration from the music of the so-called 'Ars Subtilior' movement of the fourteenth century. This early music features rhythmic complexities, linear or...

Three Shades Without Angles is a piece that plays with the idea of transformation of musical shapes. When writing this piece, I was inspired by Auguste Rodin's sculpture The Three Shades, a detail sit...

Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of pro...

Subtilior, Lamento is a piece that draws some inspiration from the music of the so-called 'Ars Subtilior' movement of the fourteenth century. This early music features rhythmic complexities, linear or...

Three Shades Without Angles is a piece that plays with the idea of transformation of musical shapes. When writing this piece, I was inspired by Auguste Rodin's sculpture The Three Shades, a detail sit...

Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of pro...

Folksongs is a piece about transformation and dichotomy. Its premise is to use very simple, almost homely materials, and to transform and manipulate them in complex ways. The first movement uses a mel...

The idea for this piece came to me after my computer was stolen. Stored on my hard drive was years worth of compositional work, which I am embarrassed to admit I had backed up only sporadically and ra...