Spartiti György Kurtag per ensemble

The first five items in the song cycle are settings of poems by the German Romantic poet, Friedrich Hölderlin (1770-1843). The 6th movement is a commentary on Hölderlin s last years, on the still rele...

The polymath, naturalist and aesthetician Georg Christoph Lichtenberg (1742-1799) is an interesting figure of 18th-century German cultural history. Yet his most important work, his collection of aphor...

Nel 1978, in occasione della prima di Hommage a Mihály András, György Kurtág visitò Witten e lì incontrò gli insegnanti della scuola Waldorf di Witten-Herdecke. Per commemorare questo incontro, creò e...

It was the Paris premiere in 1981 of Messages of the Late R. V. Troussova that brought the world's attention to the music of György Kurtág (born 1926). The spectrum of these feminine poems in Russian...

I wanted for musicians to not be able to discuss how bad the music was during rehearsals, ' said György Kurtág (* 1926) at his own expense in reference to his works, which call for the use of orchestr...

For the performance of the work three playing scores are needed. The enclosed parts are incomplete, and serve only to help the page turning. (BMC CD 048)

The original version of the piece, Message to Frances Marie, op. 31a was composed for cello solo with two bows for the American cellist Frances Marie Uitti. The subtitle refers to the title of a compo...

The work was composed in 1992 for the 85th birthday of Kurtág's teacher, Sándor Veress. The ensemble of instruments is unusual: two basset horns and two quarter-tone pianos (the well-known predecessor...

The first performance of György Kurtág's song-cycle written to poems by Anna Akhmatova took place on January 3rd, 2009, in the Carnegie Hall, New York. In this work it is evidence of the exceptionally...

The work was written for the Piccoli Archi Youth Ensemble in Ny regyháza and its conductor Nándor Tóth for the 20th anniversary of the ensemble. At the festive concert on 23 October 2004 the short pie...