Spartiti Gerald Barry per ensemble

In The Asylum comprises three pieces: The Rung, The Potent Rug, and Wigs of Flanders. At times eerie and unsettling, at times playful, and at others almost violent, this eleven-minute work for piano t...

The intense and surreal musical narrative so apparent in Gerald Barry's hugely successful opera The Importance of Being Earnest returns in a new guise for his latest vocal work Jabberwocky. Setting Le...

Für 2 Klarinetten, Marimbaphon, Klavier, Viola und Violoncello.

Although this piece is short, it includes several Barry hallmarks - fierce ostinato passages and contrasting instrumental sections marked by strong accents. Take note of the composer's instruction: Ha...

It is a piece in which the moments of change between sections are as important as the musical content - rather like those points in paintings where objects or areas of colour meet. (Gerald Barry)

It is a piece in which the moments of change between sections are as important as the musical content - rather like those points in paintings where objects or areas of colour meet. (Gerald Barry)

In The Asylum comprises three pieces: The Rung, The Potent Rug, and Wigs of Flanders. At times eerie and unsettling, at times playful, and at others almost violent, this eleven-minute work for piano t...

The Piano Quartet No.1 was written in 1992 and is in one movement. The composer writes: While writing it I was reminded of painting where blocks of colour meet or where objects intersect, of the myste...

The intense and surreal musical narrative so apparent in Gerald Barry's hugely successful opera The Importance of Being Earnest returns in a new guise for his latest vocal work Jabberwocky. Setting Le...

Für 2 Klarinetten, Marimbaphon, Klavier, Viola und Violoncello.

Although this piece is short, it includes several Barry hallmarks - fierce ostinato passages and contrasting instrumental sections marked by strong accents. Take note of the composer's instruction: Ha...

It is a piece in which the moments of change between sections are as important as the musical content - rather like those points in paintings where objects or areas of colour meet. (Gerald Barry)

It is a piece in which the moments of change between sections are as important as the musical content - rather like those points in paintings where objects or areas of colour meet. (Gerald Barry)

Feldman's was a music shop in London in the early 20th century.They sold collections of popular music for playing at home, and some of these were called 'Feldman's Sixpenny Editions'. Collections like...

The title No people. comes from the surrealist Raymond Roussel. In 1932 he published a long poem called New Impressions of Africa. For this he commissioned 59 drawings to illustrate the text. The comm...

Gerald Barry uses Beethoven's only surviving love letter as the text for this richly scored, vivid and dramatic work for bass voice and ensemble.

I don't speak French but realised I could say grand things in this language using words common to French and English. This is how L'Agitation des Observateurs, Le Tremblement des Voyeurs came about. I...

Feldman's was a music shop in London in the early 20th century.They sold collections of popular music for playing at home, and some of these were called 'Feldman's Sixpenny Editions'. Collections like...