Spartiti Charles Wood per coro misto

This setting of the Nunc Dimittis was written for Westminster Cathedral and first performed at Compline on Easter Day 1916. In concerts it could be contrasted with the Latin settings by Howells and Ho...

For SATB unaccompanied. This makes a very useful addition to the repertory for Ascension Day - either as an introit or as an anthem. The text is from the Collect for the Sunday after Ascension.

Dutch / arr. C. Wood

Dutch / arr. C. Wood

Charles Wood' s Full Fathom Five for SATB choir unaccompanied. This work is a setting of text from The Tempest, Act 1, Scene 2 by William Shakespeare. Duration: 2 minutes. A Piano accompaniment is inc...

O For A Lay!' is a work by Charles Wood for Unaccompanied SATB Choir. A setting of a poem by George Ratcliffe Woodward, a full performance lasts around 1 and a half minutes.

Written for unaccompanied SATB choir. Words translated from the German by Longfellow.

Written for unaccompanied SATB choir. Words by Shakespeare.

Written for unaccompanied SATB choir. Words by Shelley.

Written for unaccompanied SATB choir. Words by Shelley.

Written for unaccompanied SATB choir. Words, translated from Goethe, by Longfellow.

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

For SATB double choir and optional organ. This resplendent double choir anthem is a cornerstone of the Anglican cathedral repertoire. Wood makes full use of the array of harmonic and textural possibil...

This resplendent double choir anthem is a cornerstone of the Anglican cathedral repertoire. Wood makes full use of the array of harmonic and textural possibilities afforded by the use of two choirs, c...

SATB

For Choir of Soprano, Alto and Baritone with Organ.

For SATB Choir and Piano.

Coro SATB, Org

For SATB Choir and Organ.