Spartiti Burt Bacharach per orchestra jazz

This well-known Latin classic has been recorded by many jazz artists and lends itself to an easy relaxed feel. Written in a very comfortable range for vocalists, this exceptional chart by Mark Taylor...

This well-known Latin classic has been recorded by many jazz artists and lends itself to an easy relaxed feel. Written in a very comfortable range for vocalists, this exceptional chart by Mark Taylor...

This well-known Latin classic has been recorded by many jazz artists and lends itself to an easy relaxed feel. Written in a very comfortable range for vocalists, this exceptional chart by Mark Taylor...

This well-known Latin classic has been recorded by many jazz artists and lends itself to an easy relaxed feel. Written in a very comfortable range for vocalists, this exceptional chart by Mark Taylor...

This well-known Latin classic has been recorded by many jazz artists and lends itself to an easy relaxed feel. Written in a very comfortable range for vocalists, this exceptional chart by Mark Taylor...

This well-known Latin classic has been recorded by many jazz artists and lends itself to an easy relaxed feel. Written in a very comfortable range for vocalists, this exceptional chart by Mark Taylor...

This well-known Latin classic has been recorded by many jazz artists and lends itself to an easy relaxed feel. Written in a very comfortable range for vocalists, this exceptional chart by Mark Taylor...

This well-known Latin classic has been recorded by many jazz artists and lends itself to an easy relaxed feel. Written in a very comfortable range for vocalists, this exceptional chart by Mark Taylor...

This well-known Latin classic has been recorded by many jazz artists and lends itself to an easy relaxed feel. Written in a very comfortable range for vocalists, this exceptional chart by Mark Taylor...

BIG BAND GIRL VOCAL. The 1960's hit number as recorded by Dusty Springfield, in the original steady beat Latin style. A tenor sax solo is included as an alternative to the vocal.

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...