Spartiti Aram Chatschaturjan per banda

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Reflecting colorful orchestration techniques and the influence of native Armenian classical traditions, Spartacus was one Khachaturian's hugely successful ballets (along with Gayane). This exciting an...

Aram Iljitsj Khatchaturian, an Armenian by nationality, was born 1903 in Tiflis, into the family of a book-binder. He began his musical education in Moscow in 1922 at the Gnessin Music School where hi...

Rückseitentitel: Zur Feier des Tages

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...