Spartiti Antonio Vivaldi per coro misto

This Gloria is from Vivaldi's Dixit. It's up-tempo, fun to sing, and has much of the same musical flavor as Vivaldi's better known work. Sing it in English or Latin. A great work for contest or festiv...

Patrick Liebergen has provided us with a well-crafted edition from the final section of Vivaldi's setting of Psalm 147. This energetic chorus will add a joyous touch to any concert. Latin pronunciatio...

Patrick Liebergen has provided us with a well-crafted edition from the final section of Vivaldi's setting of Psalm 147. This energetic chorus will add a joyous touch to any concert. Latin pronunciatio...

Questo Dixit, che avrebbe aperto il vespro alla Vergine, potrebbe essere stato scritto anche per il vespro domenicale; tuttavia l'esistenza di una partitura autografa dell'Introduzione al Dixit a Tori...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

This Baroque opera chorus from Vivaldi's La fida ninfa was first heard at the grand opening of the Teatro Filarmonico in Verona, Italy. Available for 2- and 3-part choirs, this edition includes buoyan...

Arrangiato per soli, coro e organo.

Arrangiato per soli, coro e organo.

La più famosa delle opere vivaldiane intitolate Gloria (RV 589), questa edizione di Clayton Westermann include una breve prefazione per spiegare la prassi esecutiva. Dei tre Gloria registrati che Viva...

Antonio Vivaldi (1678-1741) scrisse numerose versioni in sol minore del cantico del Magnificat, apportando modifiche alle proprie impostazioni nel corso dei decenni in cui fu direttore della musica de...

This Vivaldi work in D Major, RV 639 and RV 588, features an Introduction, "Jubilate," which is an aria for alto soloist, followed by a short recitative, and then the main work for mixed chorus and al...

Cantico for 2 SATB Choirs and Double Orchestra. English and Latin Text.

The first chorus of Vivaldi's Beatus Vir Also available: Paratum Cor Ejus (HMC180), In Memoria Aeterna (HMC179), and Gloria Patri (HMC178)

Final chorus from Vivaldi's Beatus VirAlso available: Beatus Viv (HMC177), Paratum Cor Ejus (HMC180), and In Memoria In Aeterna (HMC179).

The third chorus from Vivaldi's Beatus Vir produces an atmosphere of floating transparencyAlso available: Beatus Vir (HMC177), Paratum Cor Ejus (HMC180), and Gloria Patri (HMC178)

The second chorus from Vivaldi's Beatus Vir is a thought (and discussion) provoking piece Also available: Beatus Vir (HMC177), Paratum Cor Ejus (HMC180), and Gloria Patri (HMC178)

GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto an...

GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto an...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...