Spartiti Antonio Lotti per coro misto

From the final portion from the Gloria of Lotti's Studentenmesse, this is a beautiful example of his use of imitation and makes an excellent choice for contest or festival. Discovery Level 2. Availabl...

Arrangment for SATB Choir A Cappella by R. Baldwin.

Einer über 1000 Jahre alten Tradition folgend verspricht sich die Stadt Venedig dem adriatischen Meer jedes Jahr am Himmelfahrtstag (venezianisch Sensa) aufs Neue als Braut. Die symbolische Zeremonie...

Lotti / ed. Kjelson

Lotti / ed. Kjelson

For SATB, a cappella

Agnus Dei - S.A.T.B., a cappella

This anthem is the final portion of a 'Gloria' taken from one of Lotti's masses, and is a lovely example of his use of imitation. It's scored a cappella, but instruments could easily and effectively d...

Crucifixus by Antonio Lotti, arranged by Geoffrey Mason for SATB choir.

Crucifixus 10 by Antonio Lotti arranged by Henry Burnett for SATB (10 part).

For SSAATTBB choir with organ.

Written by Lotti around 1730, this motet was originally written for four voices. Russell Robinson's thoughtful 3-part arrangement attempts to maintain the harmonic textures, melodic lines, and text of...

Written by Lotti around 1730, this motet was originally written for four voices. Russell Robinson's thoughtful 3-part arrangement attempts to maintain the harmonic textures, melodic lines, and text of...

For SSAATTBB Choir edited by Frank Damrosch.