Robert Sieving: spartiti medio

This trio shines as transcribed for string orchestra and makes possible the inclusion of a viola part, both as an equal player in the primary melodic material and in fulfilling harmonic realizations....

This trio shines as transcribed for string orchestra and makes possible the inclusion of a viola part, both as an equal player in the primary melodic material and in fulfilling harmonic realizations....

This small gem - originally for choir and piano - features delightful counterpoint that is great fun to play. (6:05)

This small gem - originally for choir and piano - features delightful counterpoint that is great fun to play. (6:05)

This small gem - originally for choir and piano - features delightful counterpoint that is great fun to play. (6:05)

Set in 3/4 and in D major, all four voices share the theme. A lovely string setting of this first known viola concerto! (4:30)

Set in 3/4 and in D major, all four voices share the theme. A lovely string setting of this first known viola concerto! (4:30)

Set in 3/4 and in D major, all four voices share the theme. A lovely string setting of this first known viola concerto! (4:30)

Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mos...

Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mos...

Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mos...

Wonderful for teaching Baroque style and bowing concepts, this piece features limited third position for the violins, cellos, and basses. Violas share in the thematic materials with string basses, mos...

Based upon Tchaikovsky's setting with a middle section in parallel major added by arranger Robert Sieving, this arrangement of 'Old French Melody' from Children's Album, Op. 39 is quickly accessible....

Based upon Tchaikovsky's setting with a middle section in parallel major added by arranger Robert Sieving, this arrangement of 'Old French Melody' from Children's Album, Op. 39 is quickly accessible....

Based upon Tchaikovsky's setting with a middle section in parallel major added by arranger Robert Sieving, this arrangement of 'Old French Melody' from Children's Album, Op. 39 is quickly accessible....

Handel's most famous operatic aria, Ombra Mai Fu, is adroitly set for SSA voices and piano, taken from the Oratorio Xerxes of 1738. An excellent spring concert or festival piece.

This trio shines as transcribed for string orchestra and makes possible the inclusion of a viola part, both as an equal player in the primary melodic material and in fulfilling harmonic realizations....

Based upon Tchaikovsky's setting with a middle section in parallel major added by arranger Robert Sieving, this arrangement of 'Old French Melody' from Children's Album, Op. 39 is quickly accessible....

This Italian Christmas carol dates from 1732 and the lilting melody by Alfonso Liguori is associated with the zampogna, a large-format Italian bagpipe. The text is -From Starry Skies Descending, as it...

This arrangement of Hacia Belén va una burra, one of the most widely known carols in South and Central America tells the story of a donkey's journey to Bethlehem. The piece is sprightly and accented,...

This arrangement of Hacia Belén va una burra, one of the most widely known carols in South and Central America tells the story of a donkey's journey to Bethlehem. The piece is sprightly and accented,...