Prezzi speciali

An impressive, deeply felt anthem by a master of English choral music for 8-part mixed choir with optional organ continuo.

SATB arrangement of the Ed Robertson song 'Dream A Dream'with piano accompaniment.

A contemporary orchestration and a men's voicing have been newly added to this, the opening movement from John Leavitt's Missa Festiva. Lyrical lines and flowing phrases throughout.

The Vocal Library. A huge collection of 70 sacred songs for classical singers, spanning an enormous range of literature, including art songs, traditional songs, 28 classic Burleigh spiritual arrangeme...

Mauthausen is one of the best-known and most moving political compositions by Theodorakis. In addition to the Greek original version (ED 20861), these versions, some of which have already been perform...

600 of today's top praise and worship songs! Featuring lyrics and chords only, the fake book includes CCLI's top 100 songs and more than 30 different publishers. (All songs in flat keys transposed dow...

100 of the most popular songs being used in churches across the country arranged for keyboard, with guitar chords.

Instruments: Brass Quartet: 1 Bb Trumpet 1 F Horn 1 Trombone 1 Tuba - Difficuly Level: Grade 3 - Duration: 2 mn 00 - Musical Style: Classical - Category: Arrangement - Composer: Franz SCHUBERT - Arran...

Das Bläserheft für Kirchentage 4 setzt die Reihe der Bläserhefte für Kirchentage fort und dokumentiert gleichzeitig die Zusammenarbeit zwischen dem Evangelischen Posaunendienst in Deutschland e.V. (EP...

Gemischter Chor (2)- SSAT + ATBB, Clarin-Trompete (2) - Partitur

2 Vl, Va, Bc [Fl o Blfl, Ob]

This is one of the composer's few mature works which does not include vocal soloists, making it an ideal concert opener. It is an attractive and accessible work, the vocal lines are not overdemanding,...

Max Bruch succeeded in composing an impressive setting of the well known Advent text, 'O Heiland, reiß die Himmel auf' (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated...

Das etwa Te Deum von 1832 überzeugt durch rasche Ausdruckswechsel und warme Orchesterfarben. Chöre, auch für Doppelchor, wechseln mit Arien und Solistenensembles, weiche Holzbläserklänge und obligate...