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This transcription of the Sarabande from the Cello Suite BWV 1008 featuring haunting suspensions was made by Leonard Borwich (1868-1925), who was a pupil of Clara Schumann. Offprinted from OUP's colle...
This transcription of the Sarabande from the Cello Suite BWV 1008 featuring haunting suspensions was made by Leonard Borwich (1868-1925), who was a pupil of Clara Schumann. Offprinted from OUP's colle...
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- Leonard Borwick
- Oxford University Press
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Harriet Cohen (1895-1967) is chiefly associated with Bach transcriptions through the eponymous OUP collection A Bach Book for Harriet Cohen of 1932, but she made some of her own as well. 'Ertödt' uns...
Harriet Cohen (1895-1967) is chiefly associated with Bach transcriptions through the eponymous OUP collection A Bach Book for Harriet Cohen of 1932, but she made some of her own as well. 'Ertödt' uns...
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- Harriet Cohen
- Oxford University Press
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Bach's tenor aria from Canata No. 4 ('Christ lag in Todes Banden') is reworked and arranged here for piano by Gerald M. Cooper (1892-1947), featuring creative engagement with the original texture. Off...
Bach's tenor aria from Canata No. 4 ('Christ lag in Todes Banden') is reworked and arranged here for piano by Gerald M. Cooper (1892-1947), featuring creative engagement with the original texture. Off...
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- Gerald M. Cooper
- Oxford University Press
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This mellifluous arrangement of the tenor aria from Cantata No. 85 ('Seht, was die Liebe tut') by Hubert Foss (1899-1953), the first music editor at the Oxford University Press, features a delicate am...
This mellifluous arrangement of the tenor aria from Cantata No. 85 ('Seht, was die Liebe tut') by Hubert Foss (1899-1953), the first music editor at the Oxford University Press, features a delicate am...
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- Hubert J. Foss
- Oxford University Press
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William H. Harris' (1883-1973) arrangement of 'Bist du bei mir', from the Clavierbüchlein for Anna Magdalena Bach, was published in 1949, and offers an enjoyable and remarkable realization of chords....
William H. Harris' (1883-1973) arrangement of 'Bist du bei mir', from the Clavierbüchlein for Anna Magdalena Bach, was published in 1949, and offers an enjoyable and remarkable realization of chords....
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- William H. Harris
- Oxford University Press
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Johann Sebastian Bach's world-famous Siciliano from the Flute Sonata in E-flat major (BWV 1031) has enchanted audiences for centuries with its poignant melancholy and timeless elegance. In this delica...
Johann Sebastian Bach's world-famous Siciliano from the Flute Sonata in E-flat major (BWV 1031) has enchanted audiences for centuries with its poignant melancholy and timeless elegance. In this delica...
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- Edward Kish
- Oxford University Press
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This arrangement of 'Sleepers, Wake' by celebrated pianist Myra Hess is a simple treatment of the three-part version from the Schübler publication of the late 1740s, which was Bach's own reworking of...
This arrangement of 'Sleepers, Wake' by celebrated pianist Myra Hess is a simple treatment of the three-part version from the Schübler publication of the late 1740s, which was Bach's own reworking of...
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- Oxford University Press
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The pianist Myra Hess (1890-1965) became indelibly associated with Bach after she began playing 'Jesu, joy' by ear in 1920. Her arrangement of the Adagio (offprinted here from OUP's Bach Transcription...
The pianist Myra Hess (1890-1965) became indelibly associated with Bach after she began playing 'Jesu, joy' by ear in 1920. Her arrangement of the Adagio (offprinted here from OUP's Bach Transcription...
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- Myra Hess
- Oxford University Press
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This is a beautiful arrangment for piano of Bach's Fugue in G minor (BWV 578), originally for organ, by Norah Drewett de Kresz (1882-1960). Offprinted from OUP's collection Bach Transcriptions for Pia...
This is a beautiful arrangment for piano of Bach's Fugue in G minor (BWV 578), originally for organ, by Norah Drewett de Kresz (1882-1960). Offprinted from OUP's collection Bach Transcriptions for Pia...
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- Norah Drewett de Kresz
- Oxford University Press
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Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...
Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...
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- Herbert Murrill
- Oxford University Press
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Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...
Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...
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- Dorothea Salmon
- Oxford University Press
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This charming transcription of Bach's Pastorella VWV 590 for organ was made by the accomplished composer, conductor and publisher William Gillies Whittaker (1876-1944) in 1929. Offprinted from OUP's c...
This charming transcription of Bach's Pastorella VWV 590 for organ was made by the accomplished composer, conductor and publisher William Gillies Whittaker (1876-1944) in 1929. Offprinted from OUP's c...
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- William G. Whittaker
- Oxford University Press
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This is a vibrant and varied choral cantata in five movements. Together the movements evoke a contemporary impression of London's sights, sounds, and moods. The music is irresistible, by turns contemp...
This is a vibrant and varied choral cantata in five movements. Together the movements evoke a contemporary impression of London's sights, sounds, and moods. The music is irresistible, by turns contemp...
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- Oxford University Press
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This is a new original setting of the well-known Christmas text. With a gentle melody, warm harmonies, and a graceful organ accompaniment, Infant Holy will make a moving feature in any mixed-voice cho...
This is a new original setting of the well-known Christmas text. With a gentle melody, warm harmonies, and a graceful organ accompaniment, Infant Holy will make a moving feature in any mixed-voice cho...
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- Oxford University Press
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This moving cantata draws on biblical texts associated with Sir Ernest Shackleton, his 1916 Antarctic Expedition, and Rupert Brooke. With lustrous harmonies and a poignant tenor solo, it offers choirs...
This moving cantata draws on biblical texts associated with Sir Ernest Shackleton, his 1916 Antarctic Expedition, and Rupert Brooke. With lustrous harmonies and a poignant tenor solo, it offers choirs...
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- Oxford University Press
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- pianoforte
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- Oxford University Press
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The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag and reflect u...
The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag and reflect u...
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- Oxford University Press
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McDowall has skilfully united luscious harmonies with fresh melodies and crisp rhythms in this vibrant work. Divided into six movements, the Magnificat is ideal for SATB choirs seeking fresh and inspi...
McDowall has skilfully united luscious harmonies with fresh melodies and crisp rhythms in this vibrant work. Divided into six movements, the Magnificat is ideal for SATB choirs seeking fresh and inspi...
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- Oxford University Press
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A haunting and evocative piece, this short anthem is based on a traditional Gaelic prayer of remembrance. Uncluttered harmony and a simple, gentle melody colour this memorial service setting with a pa...
A haunting and evocative piece, this short anthem is based on a traditional Gaelic prayer of remembrance. Uncluttered harmony and a simple, gentle melody colour this memorial service setting with a pa...
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- Oxford University Press
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A piano transcription, made by the composer himself, of the beautiful 'Nativity Carol'. Suitable for pianists at early intermediate level, and clearly presented and laid out, the transcription also in...
A piano transcription, made by the composer himself, of the beautiful 'Nativity Carol'. Suitable for pianists at early intermediate level, and clearly presented and laid out, the transcription also in...
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- Oxford University Press
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A piano transcription, made by the composer, of this secular carol, a true celebration of all that we love about the festive season. Suitable for pianists at early intermediate level, and clearly pres...
A piano transcription, made by the composer, of this secular carol, a true celebration of all that we love about the festive season. Suitable for pianists at early intermediate level, and clearly pres...
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- Oxford University Press
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A piano transcription, made by the composer himself, of the popular 'What sweeter music'. Suitable for pianists at early intermediate level, and clearly presented and laid out, the transcription also...
A piano transcription, made by the composer himself, of the popular 'What sweeter music'. Suitable for pianists at early intermediate level, and clearly presented and laid out, the transcription also...
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- Oxford University Press
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Fresh and unconventional, the setting includes witty references in the accompaniment to the music of Brahms, Offenbach, Tchaikovsky and other familiar tunes that allude to various gifts mentioned in t...
Fresh and unconventional, the setting includes witty references in the accompaniment to the music of Brahms, Offenbach, Tchaikovsky and other familiar tunes that allude to various gifts mentioned in t...
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- Oxford University Press
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This inspiring and uplifting setting of a well-known text will appeal to all SATB choirs looking for fresh and accessible new repertoire for general church use.
This inspiring and uplifting setting of a well-known text will appeal to all SATB choirs looking for fresh and accessible new repertoire for general church use.
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- Oxford University Press
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The earth hath voice is a colourful and dramatic celebration of nature and its powerful and hypnotizing sounds, taking the listener on a captivating journey through the natural world with an array of...
The earth hath voice is a colourful and dramatic celebration of nature and its powerful and hypnotizing sounds, taking the listener on a captivating journey through the natural world with an array of...
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- Oxford University Press
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