Partiture per orchestra

Instrumentation: 3(III=picc).2.ca.2.bcl.2.cbsn - 4431 - timp - perc(3): vib/xyl/crot/t.bells/SD/BD/3 tom-t/tam-t/susp.cym/cyms/tgl - pno - harp - strings Two musical tales for narrator and orchestra T...

Instrumentation: 3(=picc).2(II=ca).2(I=Ebcl.II=Ebcl+bcl).2(II=cbsn) – 4231 – perc(5): vib/glsp/lujon/mcas/xyl/coiled spring/mark tree/BD/tpl.bl/c.bell/mar/siz.cym/crot/gong/t.bells/guiro/4 oriental go...

Instrumentation: picc.2.2.ca.2.bcl.2.cbsn - 4331 - timp - perc(2/3): BD/hi-hat/cyms/2 susp.cym/2 anvil/4 tom-t/tgl/tamb/(vibraslap)/vib/2 tam-t/(flexatone)/ratchet or guiro/glsp/siz.cym - pno - harp -...

Instrumentation: 1212 – 2200 – solo perc: mar/xylrim/4 susp.cym/japanese bell/5 tom-t/bongos/2 conga/vib/4 small drum/pedal BD/4-8 boobam/4 wdbl – perc(2): 4 bongo/4conga/2 mcas(or chocalho)/2 BD/4 cl...

Instrumentation: 3(III=picc).2.3(III=bcl).3(III=cbsn) – 4331 – perc(1): t.bells/glsp/2 oriental gong/3 wdbl/tpl.bl/tom-t/BD+foot ped – pno – harp – strings – reverberation unit + amplification (ad lib...

Instrumentation: 2(=picc).2.2.2 - 4431 - timp - perc(3): vib/glsp/crot/ t.bells/BD/tam-t - strings Handel called Britain ‘the ringing isle’ because when he came to live here, he heard bells ringing ev...

At the time, I wrote that Australia lacks “a common cause, and the self-interest of many has drained us of much of our energy. A bogus national identity and its commercialization has obscured the true...

Instrumentation: 2.2.2.bcl.2 - 4230 - timp - perc(1): tgl/susp.cym/cyms/BD - strings I orchestrated about half of Beethoven's 'Rule Britannia' Piano Variations in 1980 for Carl Davis' score for the 19...

Instrumentation: 2(II=picc).2(II=ca).2.2 – 4220 – perc(1): tamb/susp.cym/ch.cym/tam-t/BD – harp – strings

Full Score.

For string orchestra (3-1st Violin, 3-2nd Violin, 2-3rd Violin, 1-1st Viola, 2-2nd Viola, 4-Cello/Bass).

For Orchestra with optional organ.

Study Score.

Study Score.

Concerto No. 3 for Orchestra: Farbenspiel is the third concerto for orchestra by Gunther Schuller. The first was composed for the Chicago Symphony in 1966.