Partiture per orchestra

Kantate für Soli, gemischten Chor und Orchester. Großes Orchester, Soli, Gemischter Chor - Partitur; Gesamtausgabe; Urtextausgabe.

Marc-Antoine Charpentier's Te Deum in D major, H 146 is one of the most magnificent masterpieces of the French Baroque. World-famous for its festive Prélude—internationally celebrated as the iconic Eu...

Il "Gloria" RV 589 (BA 7674) è una delle composizioni più conosciute di Vivaldi e una delle opere vocali sacre più eseguite del periodo barocco. Vivaldi scrisse il "Gloria" come opera indipendente - n...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe 1, Oboe 2, Streicher, Basso continuo - Partitur; Urtextausgabe

Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Oboe 1, Oboe 2, Trompete 1, Trompete 2, Pauke, Streicher, Basso continuo - Partitur; Urtextausgabe

This volume represents the only annual cycle of sacred music of the 18th century printed in score; it was completed in 1744. The textual basis stems from Erdmann Neumeister. In contrast to the usual p...

Die Missa in F von 1734 für zwei bzw. vier Chöre ist wohl das bedeutendste Werk Pergolesis für Chor und Orchester. Die Bezeichnung 'Missa Romana' ist nachträglich entstanden. Sie geht auf eine Aufführ...

> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...

> Gounod's well-known mass in a new Urtext edition > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Idiomatic piano reduction > In preparation for the Gounod bicentenary year 2018 Sacred...

Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...

Sopran solo, Alt solo, Tenor solo, Bass solo, gemCh (SATB), Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Serpent, Horn (2), Trommel (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtex...

> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...

Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...

Come ha potuto dimostrare nel 2020 lo specialista mozartiano Ulrich Konrad, la versione della "Musica funebre massonica" di Wolfgang Amadeus Mozart oggi ampiamente in uso non deriva dal compositore st...

The familiar Johann Sebastian Bach melody will be loved by one and all. Solidly scored for your strings or full orchestra, the delicate melody will reinforce the musicianship of the entire ensemble. (...

Cantata per soli (STBB), coro femminile (SA) e orchestra.

Soprano, tenore, baritono soli, coro SATB e orchestra Esatta strumentazione: 2.2.2.2(+cfg)-4.3.3(+tbb) - timpani, gran cassa, piatti à 2, celesta, vibrafono, campanelli, campani grandi, arpa - archi

Il Te Deum del 1832, un'opera festiva di grandi dimensioni, colpisce per i suoi rapidi cambiamenti di espressione e i caldi colori orchestrali. La composizione in 15 movimenti combina movimenti corali...

Fassung für Sinfonieorchester - nicht lieferbar für Frankreich - Soli SBar, Coro SATB, 2 Fl, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Timp, Vl, 2 Va, 2 Vc, Cb, Arpa, Org

Il compositore britannico Grayston (Bill) Ives (*1948) si è dedicato alla musica corale in molti modi diversi. È stato tenore dei leggendari King's Singers e in seguito ha lavorato per 18 anni come or...

Anche durante la vita di Ludwig van Beethoven, il compositore era così venerato che i contemporanei arrangiavano la sua musica - soprattutto le opere strumentali più note - per coro. In alcuni casi, e...

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...