Partiture per coro

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Nick Page strikes again with a dynamic, uplifting unaccompanied tune beginning to be performed by your ensemble for Chanukah! Choirs will have lots of fun with this lively, intense setting of the Hebr...

Just in time to celebrate the iconic Max Janowski's centennial year! This piece has been a beloved and often-heard classic for years, but this new version, for solo voice with unaccompanied double cho...

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...

Uses: Easter Scripture: Luke 24:2-3; Acts 4:33; I Peter 1:3 Teeming with gospel goodness, this unaccompanied gem is a charming change for Resurrection Sunday. The infectious call and response format c...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Eric Whitacre has created a remarkable setting of The Star-Spangled Banner, filled with colorful effects and vivid dissonance. Challenging and impressive!

Now available in additional voicings, Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, l...

Light, fast, strong and accented describe this arrangement of the traditional spiritual. This is a wonderful contrast to the heavy style so often associated with traditional spirituals. Each of the vo...

With triadic harmonies, solo/group call and response and a joyful bass line, this a cappella spiritual is well-crafted for success - an ideal showcase for pop, jazz and concert choirs!

A heavy blues beat defines this arrangement of this traditional spiritual. The arranger calls for wailing and the passion required from the chorus and the mezzo-soprano soloist are critical in bringin...

This arrangement of a traditional spiritual is set in an easy swing style and is a song full of hope and joy. All of the voice parts contain divisi and are exposed, allowing the opportunity to feature...

With a beautiful Pentecost text from Chris Anderson, Richard Nichols has given us a gentle and moving hymn-styled anthem. A simple solo voice introduces the first essence of the Holy Spirit while the...

Five classics from the Romantic era make this a useful and valued collection for mixed choruses in schools, colleges and communities. Includes: Abendlied (Josef Rheinberger), Abendständchen (Johannes...

Lovely warm harmonies will fill your performance space in this short setting of the traditional Irish blessing with a few slight lyric alterations to provide a more enveloping framework for the listen...

Arranged for the American Public Media Radio Choir, this is an unaccompanied setting of the 2015 song by Sia. An interesting change of pace for mixed choirs in high school and up.

Just like many pop songs of today, English Renaissance madrigals, the pop songs of their time, mention loved ones by name. Two of the most frequent to crop up are “Phyllis” and “Amar...

Vibrant rhythms infuse this uptempo a cappella setting with energy in a fantastic concert showcase that is an ideal selection for pop, jazz and concert groups. Perform with voices only or add vocal ba...

Opening with a plaintive treble voice over a choral background, the verse/refrain unfold to reveal the loving truth of the nativity – “Born in a poor place, but rich in your glory. ”