Partiture per coro

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

This widely performed Renaissance motet is now available in an SSA edition. Transposed up a fourth from the original key of F major, the beauty of Palestrina's polyphonic writing is maintained while m...

Selber kundiger Chordirigent, erzielte Hans Chemin-Petit mit Kompositionen für Vokalensemble seine größten Erfolge. Neben großformatigen ernsten Werken, vor allem auf biblische Texte, schuf er auch or...

Le tremblement permanent du moi- fantôme ... commissionato dall'ensemble vocale francese Musicatreize per il programma Beethoven Year 2020 12 Letters to Elise, si interroga su chi siamo oggi e cosa re...

Ambientazione natalizia per voci alte (tre parti) di un testo tradizionale inglese del XV secolo con un ritornello latino: "Gabriel of high degree ..." / "Ut nova: Ave fit ex Eva". L'edizione include...

Composto nel 2009, questo breve e solenne Introito è stato il primo di diversi lavori a cappella che ho scritto per Matthew Owens e i Wells Cathedral Girl Choristers. Il testo latino ("Rallegriamoci")...

Questa impostazione della Messa latina (senza Credo) è stata eseguita in prima assoluta nel maggio 2016 dai coristi del Wells Cathedral Choir. Il brano è scritto per tre voci bianche non accompagnate...

Nella sua versione originale per voci miste, The Gallant Weaver di MacMillan è diventato uno dei suoi brani preferiti; questo arrangiamento estende l'ambientazione alle voci superiori. Paul Spicer com...

The fragmented nature of the poetry is reflected in the many small musical sections. (3:00)

This arrangement explores the Caribbean sty;e known as 'Afro-Cuban': independent melodic lines with strong rhythmic pulses are superimposed to build up textures that are both rich and translucent. Eve...

This fleet-footed setting of a medieval French folksong is packed with energy and self-assurance. Sure to please!

Adapted from a traditional African-American chant, this is – in the composer's words – a “soulful piledriver with a monster backbeat. ” Plentiful but manageable divisi writing...

This is a highly emotional and powerful piece for women's choir. Composer Boerger asks the chorus to produce the sound of bereavement when it first strikes. A total commitment to the emotions as maste...

By choosing to set this text, which speaks of charity and the love of God, for treble voices, Douglas Pew seeks to create images of celestial bodies and celestial spheres where this type of sacred lov...

Munoera' (Sanctus) is part of the Shona Mass, an original work composed in the spirit of music heard at the Episcopal Cathedral in Harare, Zimbabwe. The text is a combination of Shona and liturgical L...

Taking advantage of the ancient and at the same time relevant musical style we know as Chant, Stephen Hatfiled has created a Funky, rhythmic, modern look at musical styles and how reality and the digi...

Commissioned by the 2012 ACDA Women's Choir R&S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.' One long, rhythmi...

Written for the Wheaton College Christmas Festival, this work with a text by Christian mystic, Hildegard of Bingen, should feel very free, personal and almost improvisational. The close harmony requir...

Dies ist eine aufregende Bearbeitung für zwei Chorstimmen a cappella eines traditionellen amerikanischen Volksliedes. Dabei kann der Gesang optional mit Handklatschen und Bodypercussion begleitet werd...

This folk song arrangement expresses the dispersed Jewish community's hope for reunion 'next year in Jerusalem.” It is comprised of two distinct sections: a newly-composed, sorrowful theme, express...