Partiture per coro

This celebratory carol on the popular fifteenth-century text is full of Christmas cheer. Jaunty, up-tempo, and in 7/8-time, it is an ideal opening for Christmas concerts and services.

John Rutter's tender and expressive arrangement of Silent Night is presented here in both English and German. In a fascinating note, Rutter outlines the history of this celebrated carol, and this edit...

Thou, my love, art fair' was written for The King's Singers and first performed by the group on St Valentine's Day 2015. Setting the William Baldwin poem, Christ to his spouse, this delightful song ma...

Setting part of a Eucharistic hymn text by Thomas Aquinas, this piece is suitable for liturgical or concert use. Flowing and expressive, it features homophonic sections, melismatic lines, and optional...

Commissioned by King's College, Cambridge for the 2015 Festival of Nine Lessons and Carols, this setting of a poem by George Szirtes on the subject of the flight to Bethlehem has rich and ethereal har...

The text for this arrangement of the second of William Walton's Two Pieces for Strings from Henry V' is based on the line 'Touch her soft mouth, and part' from Shakespreare's Henry V (Act 2, Scene 3)....

This serene communion motet sets the last two verses of the Pangue Lingua and oscillates between 3/4 and 4/4 time signatures. The melodic lines are expressive and at times melismatic, and the divisi i...

This spellbinding setting of words from Act 1, Scene 1, of Hamlet depicts a bird of dawning singing all night long in celebration of the Saviour's birth, with Shakespeare's characteristically evocativ...

This setting of the well-known fifteenth-century text is both simple and effective. With enchanting solos and a gentle choral refrain, this tender carol will bring a moment of stillness and reflection...

This warm and tender carol sets an evocative text by Norman Nicholson depicting Mary's gentle nurturing of her child. There is a beautiful simplicity in Chilcott's setting, which features sumptuous ha...

This setting of texts from Cymbeline and The Merchant of Venice, and Sonnet 98, is characterised by inventive textures and vibrant word-setting. The harmonic language is mostly diatonic but never plai...

Cecilia, Busy Like a Bee is a reflective setting of a text adapted from the Divine Office for St Cecilia's Day. The influence of plainchant is particularly apparent in the soprano solo, and McDowall i...

This lively and joyous arrangement of the folksong 'Montagnarde' from the Haute-Auvergne region of France makes playful use of the call of the cuckoo in a catchy refrain. 'Montagnarde' is featured on...

Chilcott's arrangement of 'Viens par le pre', a folksong from the Haute-Auvergne region of France that presents a heartfelt expression of love, is tender and expressive, with rich, warm harmonies. 'Vi...

Ya basta!' is a Spanish saying that roughly translates to 'Enough is enough!'. Regan has combined this with text from a poem by the Spanish poet Antonio Machado. Ya Basta! has an exuberant and carefre...

Commissioned by Ralph Woodward and the Fairhaven Singers in memory of Dora Kemp, one of the choir's sopranos, God is Light sets lines from Psalm 139, 1 Thessalonians, and 1 John. It moves from an unse...

This powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatoni...

The text for this piece is a response to Allen Ginsberg's A Supermarket in California by Latvian poet Karlis Verdins, translated by Ieva Lesinska. Jackson exploits its dramatic intent, giving space fo...

With a newly written text by Angier Brock, this compelling anthem by Cecilia McDowall is a welcome addition to the traditional Easter repertoire. Easter Light explores a variety of styles and colours,...

Helvey's skilful arrangement of the popular hymn by American Baptist minister Robert Wadsworth Lowry is joyous and affirmatory. It is suitable for performance throughout the liturgical year, and the s...

For SATB unaccompanied. Described by Elgar as an elegy for unaccompanied chorus, this mournful, reverent setting was composed for a service commemorating Queen Victoria on the anniversary of her death...

For SSAATTB unaccompanied.

For SSAATB unaccompanied.

For SATB double choir unaccompanied.

For SATB double choir unaccompanied. Setting words from the Ordinary of the Lutheran Mass, this brief but resoundingly effective piece is perfect for opening a choral concert. The piece begins with ea...