Partiture per coro

For SATB unaccompanied. This short, contemplative anthem serves as an ideal introit for church services or as a short mediation piece at Communion during Lent. This contemporary setting presents the t...

The Musica Dei donum series makes accessible to performers a variety of interesting and generally lesser-known Renaissance vocal works. The titles in the series are presented in practical format, with...

The Musica Dei donum series makes accessible to performers a variety of interesting and generally lesser-known Renaissance vocal works. The titles in the series are presented in practical format, with...

For SATB and organ with optional strings. This setting invites the congregation to join in with several of the verses. Verse 1 is sung in unison, verse 2 is men only, verse 3 is a capella, and verse 4...

For SATB with divisions, unaccompanied Choirs will enjoy singing the lush, expanded harmonies in this short, breathtaking anthem. The fourteenth-century text is used widely during communion, but is al...

For SATB unaccompanied. No. 1 of Three Spirituals. This lively spiritual setting is perfect for all choirs looking to energize any church service or concert. A chromatic modulation jump starts each ne...

For SATB unaccompanied. In this haunting and plaintive setting of the classic spiritual, Warren creatively evokes a stark tone of loneliness and despair with descending chromatic inner voices in the o...

For SSAATTBB unaccompanied. This rhythmic and spirited setting of the familiar hymn is perfect for large choirs either as a commemoration piece or in a concert setting.

For SATB unaccompanied. Right from the first bar, this upbeat, refreshing arrangement of the African American spiritual will catch the attention of the performer and audience. Culminating in six-part...

Oxford Music from Canada is a new series of choral pieces by significant Canadian composers that reflect the themes and texts of Canada. for SATB unaccompanied Chatman captures the true spirit of a lo...

For SATB unaccompanied. The music opens with 'oos', and, after a pause, the choir enters, singing in Latin, sempre legato. Bassi writes lush choral lines with suspension after suspension, which result...

A setting of a poem by Ursula Wood, later to become Ursula Vaughan Williams. The dedication reads, 'To the memory of Charles Villiers Stanford, and his Blue Bird'.

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke'...

For S.A.T.B. Chorus, a cappella

S.A.B., a cappella

S.A.B., a cappella

S.A.B. Chorus, a cappella

Edited by Charles Marshall. Arranged by Charles Marshall. Mixed chorus. For SATB, Piano Rehearsal. Choral. Choral Part(s). 4 pages.

Mixed chorus. For SAB chorus (a cappella). Five Rounds on Famous Words. 20th Century. Difficulty: medium-difficult. Vocal score. Vocal score notation. 4 pages.

3 Part Mixed Voices, a cappella

Edited by Arthur Hilton. Arranged by Michael Praetorius Arthur Hilton. Mixed chorus. For SAB, Keyboard. Mercury Concert Edition of Sacred Choral Masterworks. Choral. Piano/Vocal Score. 6 pages.

A.T.B., Alto Solo, a cappella