Partiture per coro

NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...

The classic arranged for a fun SATB (a cappella)

A stunning melody by Smolover and choral arrangement by Kroll-Rosenbaum, set to a poem written by an anonymous author at Terezin concentration camp.

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Nick Page strikes again with a dynamic, uplifting unaccompanied tune beginning to be performed by your ensemble for Chanukah! Choirs will have lots of fun with this lively, intense setting of the Hebr...

Just in time to celebrate the iconic Max Janowski's centennial year! This piece has been a beloved and often-heard classic for years, but this new version, for solo voice with unaccompanied double cho...

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Eric Whitacre has created a remarkable setting of The Star-Spangled Banner, filled with colorful effects and vivid dissonance. Challenging and impressive!

The spiritual journey of the seeker is to encounter God. This piece captures that sacred longing, as the mystery and majesty of the Almighty are described and met with music of nuance and deep express...

Lively percussion captures the attention followed by a stacking of voices singing this popular South African folk song. Attention is given to vocal writing that creates rhythm patterns around the melo...

Lively percussion captures the attention followed by a stacking of voices singing this popular South African folk song. Attention is given to vocal writing that creates rhythm patterns around the melo...

In this a cappella gem, profoundly moving music surrounds a classic sacred text. The choir will sound sonorous and expressive, matching with sensitivity this moving portrait of Christ's suffering on C...

Based on the traditional spiritual Hold On, composer Mark Butler gives us another arrangement characteristic of his unique voice. Scored for unaccompanied mixed divisi chorus with solo voices, the ene...

Scored for unaccompanied divisi mixed chorus, the driving ostinato found in the bass voices along with the stratafication of textures create one of the most engaging compositions of the year. Try it w...

Winner of the 2018 prestigious Brehm composition competition at the University of Michigan, here is a Walt Whitman text that seems to float in the air, like the stars it is about. Very subtle dynamic...

This beautiful Swedish folk hymn is beautifully set for the concert stage. The SATB divisi, a cappella setting allows for subtle changes between verses and requires richness of tone and child-like sim...

After a brief polyphonic introduction by the women, this favorite African-American spiritual moves into a homophonic setting featuring long legato lines, controlled dynamics, all with a focus of creat...

Winner of the 2016 ACDA Raymond W. Brock Student Composition Contest and premiered by the Riverside City College Chamber Singers, here is a lush setting of the iconic Mary Elizabeth Frye poem Do Not S...

Here we have a fresh new take on this familiar African-American spiritual with contemporary harmonies, added passing tones that bring passion and excitement, a small group descant and a steady build t...

John Leavitt has established a reputation for carefully selecting important and historic repertoire, editing it in ways to make singers successful all while staying true to the stylistic period. This...

This is an advanced work for unaccompanied divisi mixed voices on a text by Paul Laurence Dunbar. Try it with your college/university ensemble or advanced community chamber group.

This is like one big jazz scat for the choir. Only syllables, no words. Written for the New York Voices Jazz camp, this song is HOT. And the only 3 words used embrace the joy of music making and the j...

Revealing itself with warmth and sincerity, this a cappella pearl glistens with sonic luster. Organic part-writing moves slowly with linear steps that change the harmony with watercolor grace. The tex...