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Campione audio: "Nacht ruht auf den fremden Wegen" (eseguito dal Vokalensemble "et hepera", dir. Franziska de Gilde)
Campione audio: "Nacht ruht auf den fremden Wegen" (eseguito dal Vokalensemble "et hepera", dir. Franziska de Gilde)
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Il fulcro della vasta e variegata musica corale di Rheinberger è costituito dalle opere destinate alle funzioni cattoliche. Forse la composizione vocale sacra più nota di Rheinberger è il mottetto in...
Il fulcro della vasta e variegata musica corale di Rheinberger è costituito dalle opere destinate alle funzioni cattoliche. Forse la composizione vocale sacra più nota di Rheinberger è il mottetto in...
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If we look back to the beginning of the Protestant Church, over 500 years ago, beyond its central theological and historical aspects, then we must consider the priceless cultural and artistic impulses...
If we look back to the beginning of the Protestant Church, over 500 years ago, beyond its central theological and historical aspects, then we must consider the priceless cultural and artistic impulses...
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The anniversary edition for all choirs! With their extensive forces and complex parts, the performance of Beethoven's choral-symphonic works is hugely demanding for many choirs. For the major Beethove...
The anniversary edition for all choirs! With their extensive forces and complex parts, the performance of Beethoven's choral-symphonic works is hugely demanding for many choirs. For the major Beethove...
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A volte romantica, altre volte con un tocco jazz, la raccolta corale Bruckner. La musica corale profana è ricca di scoperte emozionanti e di nuovi arrangiamenti a vari livelli di difficoltà. La musica...
A volte romantica, altre volte con un tocco jazz, la raccolta corale Bruckner. La musica corale profana è ricca di scoperte emozionanti e di nuovi arrangiamenti a vari livelli di difficoltà. La musica...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Wolfram Buchenberg structured his setting of the Veni creator Spiritus as an urgent and powerful invitation to the creative spirit. The frequent reprises of this line of text, like a motto, are contra...
Wolfram Buchenberg structured his setting of the Veni creator Spiritus as an urgent and powerful invitation to the creative spirit. The frequent reprises of this line of text, like a motto, are contra...
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Das 16-stimmige Tombeau de Josquin Desprez, dessen Text auf die Inschrift der Grabplatte in St. Gudula, Brüssel, zurückgeht, ist eine Auseinandersetzung mit der Polyphonie Josquins. In seinem Verlauf...
Das 16-stimmige Tombeau de Josquin Desprez, dessen Text auf die Inschrift der Grabplatte in St. Gudula, Brüssel, zurückgeht, ist eine Auseinandersetzung mit der Polyphonie Josquins. In seinem Verlauf...
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In Splendor paterne glorie arbeitet Wolfram Buchenberg mit Akkordüberblendungen und Klangflächen. Ein besonderer Faktor in diesem fluiden Farbenspiel ist die Solovioline, die nie als konzertanter Gege...
In Splendor paterne glorie arbeitet Wolfram Buchenberg mit Akkordüberblendungen und Klangflächen. Ein besonderer Faktor in diesem fluiden Farbenspiel ist die Solovioline, die nie als konzertanter Gege...
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Selig seid ihr sets three of the Beatitudes from St. Matthew's Gospel. The piece is scored homophonically throughout, and is basically a meditation on the text in three intensifying phases. Its fundam...
Selig seid ihr sets three of the Beatitudes from St. Matthew's Gospel. The piece is scored homophonically throughout, and is basically a meditation on the text in three intensifying phases. Its fundam...
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Hugo Distler's Weihnachtsgeschichte op. 10 is in a deeply heartfelt style, and his Christmas motets, written at various points in his life, sound just as vivid in their expression. With madrigalian en...
Hugo Distler's Weihnachtsgeschichte op. 10 is in a deeply heartfelt style, and his Christmas motets, written at various points in his life, sound just as vivid in their expression. With madrigalian en...
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The 'Missa romana' is a mass setting in Latin. With a duration of c. 10 minutes, and a moderate level of difficulty, it is intended for performance in Catholic services. It combines jazzy chords and L...
The 'Missa romana' is a mass setting in Latin. With a duration of c. 10 minutes, and a moderate level of difficulty, it is intended for performance in Catholic services. It combines jazzy chords and L...
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