Partiture per coro

Gemischter Chor a cappella

Gemischter Chor, a cappella Sopran (Chorst.), Alt (Chorst.), Tenor (Chorst.), Bass (Chorst.)

Gemischter Chor a cappella Chorpartitur Texter: Kipling, Rudyard Schwierigkeitsgrad: schwer Band/Reihe: CHORAL VIVACE

First performance: Snape Maltings Concert Hall, April 2011, by Aldeburgh Voices directed by Ben Parry. Text by Garth Bardsley (2011)

Words by Roman poet Prudentius, St Ambrose and an anonymous author

In the space of two minutes, enjoy singing favourite moments from nearly 30 Christmas carols and songs in this medley arranged by Cantabile - the London Quartet

Gemischter Chor (SATB) Chorpartitur Dauer: Eine Stunde, 17 Minuten

Gemischter Chor (SATB) a cappella.

Written for Cantabile - The London Quartet, this SATB piece is a humourous take on the sending and receiving of Christmas Cards by Ben Parry and Garth Bardsley.

A piece by Ben Parry and Garth Bardsley on the joys of a cappella singing!

Jim Clements ha musicato O Tannenbaum per voci miste. Basata su una canzone popolare tradizionale, all'inizio del XX secolo è stata associata al tradizionale albero di Natale e cantata come canto nata...

Lighten our Darkness by Alec Roth is a contemporary sacred choral work or unaccompanied SATB choir. The words are taken from the Third Collect at Evening Prayer, Book of Common Prayer 1662. Lighten ou...

Responses by Alec Roth is a contemporary sacred choral work or unaccompanied SATB choir. The words are taken from the order of service for Evening Prayer, Book of Common Prayer 1662. Responses was com...

Spieldauer: 4 Minuten.

Solostimme, Gemischter Chor zu 4 Stimmen (SATB) - Chorpartitur

dem Figuralchor Frankfurt und seinem Dirigenten Alois Ickstadt gewidmet

Gemischter Chor (4-st.), Klavier

This is a new setting of a beloved hymn by talented arranger Jamey Ray. The piece allows each voice part to be celebrated and offers a beautiful a cappella section in the middle.

Nach einem Marienlied aus dem 15. Jahrhundert auf eine Melodie aus dem Andernacher Gesangbuch (Köln 1626) und einen Text von Daniel Sudermann (um 1626)