Partiture per coro

per SSA e SSAA non accompagnato

This imaginative setting of Henry Wadsworth Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charism...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

Clemens composed two settings of the Marian text Ego flos campi, one scored for mixed choir of seven voices and this other, more intimate, setting for three voices. Here the voices weave beautiful cou...

Skilful word-painting and rhythmic energy makes this attractive Epiphany motet by Agostino Agazzari an appealing choice for Christmastide. Offprinted from The Oxford Book of Upper-Voice Polyphony.

This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).

Chorbuch nach Gedichten von Hildgard Jahn-Reinke, Tei 1. 15 Sätze für Frauen- oder Männerstimmen. Frauenchor-SSAA/ Männerchor-TTBB - Singpartitur

Oliver Gies hat deutschsprachigen Chören viel Freude bereitet und ihnen einen Herzenswunsch erfüllt, indem er mit seinen beiden Sammlungen 'Wunschzettel' und 'Wunschzettel 2.0' das Repertoire mit eine...

These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...

Text: Popular. Sprache: baskisch. Year: 2000

Text: Fernando Goenaga. Sprache: baskisch. Year: 2000

Text: Jose Angel Irigaray. Sprache: baskisch. Year: 1995

Text: Liturgical. Year: 1985 rev. 1997

Text: Liturgical. Year: 2001