Partiture per coro

'Laude' were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars' volumes 1-3 of...

Hesketh's work for 3-part children's choir and piano sets two texts about the start of spring by William Blake and an anonymous source. Written for conductor Simon Emery and the Liverpool Philharmonic...

Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with...

Joe Duddell's Magnificat and Nunc Dimtis was commissioned by Presteigne Festival of Music and the Arts with funding from Kevin Jones and Laura Woodside-Jones and received its first performance by the...

Composed for Northern Sinfonia Chorus and Gavin Osborn.

The opening lines of Marcel Proust's In Search of Lost Time provide the text for Gerald Barry's Long Time. Beginning 'For a long time I used to go to bed early', the work unfolds over gently rising an...

For SATB choir Text by Mary MacDonald translated by Lachlan MacBean and from the bible Chorpartitur - with piano reduction for rehearsal only - gemischter Chor (SATB)

John Casken's Magnificat and Nunc Dimittis was commissioned to mark the return of the Lindisfarne Gospels to the North East of England, where Casken lives. The book, dating from the 7th century, is on...

The Phoenix and the Turtle sets a poem by Shakespeare published 1601 that uses the metaphor of a bird's funeral to describe the death of an idealistic love. Watkins spins out a jazzy melody surrounded...

Commissioned by the National Youth Choirs of Great Britain, this a cappella choral showpiece sets poems about the sea by Katrina Porteous.Voices gently rock and then tumble violently, mimicking the re...

Text by George Mackay Brown and from The St Magnus Prayer.

Setting texts by Indian poet Rabindranath Tagore, this is Zoë Martlew's first vocal work published by Schott. Beauty, space and control feature strongly in this work for 6 female voices that would be...

The text of Karakia is a traditional Maori prayer, a homage to the elements and rhythms of nature. Every pitch in the piece is derived from the name of the composer's mother, who was born in New Zeala...

Gerald Barry's The coming of winter is a setting of an Irish poem dating from the 9th or 10th century, and was commissioned for the 34th Seminar on Contemporary Choral Music at University College, Cor...

Charm me Asleep is a gentle, lilting piece with a beautiful melody and homophonic texture. This is one of a pair of works, along with Slow, Slow, Fresh Fount, written by Watkins for the Cardiff Polyph...

A beautiful work of contemporary polyphony in which shifting textures create momentary dissonance. An alluring melody passes between the voice parts.This work can be performed alone or as a pair with...

A setting of a text by William Blake from his collection of poems Songs of Innocence and Experience for SATB choir, harp and strings. The poem is a lullaby in which a mother hopes her sleeping baby's...