Partiture per coro

This gentle setting of Sir Philip Sidney's poem has a beautiful, memorable tune which perfectly complements the romantic nature of the words. Chilcott uses overlapping phrases between male and female...

This is an atmospheric setting of an anonymous fifteenth-century text. The exquisite tenor solo at the opening and the calm intensity of the middle section attest to Chilcott's gift for writing beauti...

Setting a contemporary poem by Kevin Crossley-Holland, The Heart-in-Waiting is a rich, expressive carol with sonorous chords and a deep, rich sound. Ideal for mixed-voice choirs looking for an evocati...

This is a peaceful and positive setting of words by Elizabeth Jennings from the poem 'Assurance beyond midnight'. The magical images that Jennings conjures as she reflects on her life are perfectly ca...

Immerse yourself in the touching sound world of 'Touch Her Soft Lips And Part'—a lyrical masterpiece full of tenderness and emotional depth. This enchanting piece for unaccompanied mixed choir (SATB w...

'La-bas, dans cette plaine' is a gentle, lilting a cappella arrangement of one of the famous folksongs from the Haute-Auvergne region of France.

This lively and joyous arrangement of the folksong 'Montagnarde' from the Haute-Auvergne region of France makes playful use of the call of the cuckoo in a catchy refrain. 'Montagnarde' is featured on...

Chilcott's arrangement of 'Viens par le pré, a folksong from the Haute-Auvergne region of France that presents a heartfelt expression of love, is tender and expressive, with rich, warm harmonies. 'Vie...

For SSAATTB unaccompanied.

Experience deeply moving vocal music with the traditional evening hymn "Christe, qui lux es et dies" (O Christ, who art the light and day), published by Oxford University Press. Scored for unaccompani...

Setting words from the Ordinary of the Lutheran Mass, this brief but resoundingly effective piece is perfect for opening a choral concert. The piece begins with each part entering a 3rd lower than the...

This collection presents some of most attractive carols by the composer Charles Wood and the hymnodist, antiquarian, linguist, and musician G.R. Woodward, who both composed his own music and provided...

Three jewels of English carols from the fifteenth and sixteenth centuries in practical editions.

Well suited to beginners, this is a piece of elegant simplicity that remains in rhythmic unison throughout, with focus placed on the dynamic range. Its text, written by the composer, emphasizes the co...

Commissioned by Chorus America, A Dedication and an Amen is a flexible work designed for use in a variety of contexts. Featuring a secular Dedication and an optional Amen, it can be adapted to suit wo...

This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated seventeenth-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and...

A traditional Somerset carol, collected by Cecil Sharp from the Drayton wassailers.

This gentle and reflective piece sets the George Herbert text 'Blest be the God of love'. The poet's intense imagery is enhanced by expressive cross-rhythms and harmonies enriched by split alto and ba...

This optimistic and affirmatory anthem sets a useful service text of general thanksgiving from the Book of Common Prayer. Chilcott makes full use of the imitation and antiphonal effects that these for...

Owain Park's arrangement of John Rutter's secular carol presents a new take on this Christmas classic, drawing on Rutter's evocative orchestral colours to create this characterful arrangement. This ar...

This arrangement of the popular American folksong is atmospheric and expressive, with the traditional melody moving seamlessly between voice parts and resting on a cushion of rich harmonies. Shenandoa...

This subtle setting of the popular carol is soft and gentle, never louder than mezzo-piano. The ethereal background starts in a high register with a repeated figure that evokes tranquility. A differen...

An expressive Lenten motet reflecting the agony of the Mount of Olives; the tenor sings the words of Christ.

This is a warm and tender piece setting the last three verses of Christina Rossetti's 'What good shall my life do me?', which encourages leading a life of love as an example for others. Daley's heartf...

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment. Also available in a version for SSAA...