Partiture per coro

Commissioned by Classical Movements for an incredibly large ensemble of primarily 'older' singers. Along with some brass, keyboard, and timpani, this work serves as a fun, fanfare-like, flourish-fille...

A creative and unusual work, The Gale uses text painting, sound effects, and crafty choral writing to bring to life the text written by Abraham ('Abramek') Koplowicz, a Jewish boy who was exterminated...

This text is part of a longer work by Mohja Kahf titled My People Are Rising: An unfinished poem begun in Spring 2011 for an unfinished Revolution begun in March 2011. It speaks so viscerally of the t...

Longfellow's poem, The Day is Done, speaks of evening as the time when poetry and music come alive and soothe the cares of day. The musical setting presents the opening lyrics in the children's voices...

This is the central movement of Angel of Light, a cantata based on Shaker themes. A dancing and playful rhythmic ride, it is ideal as a light-hearted opening or closing piece. The text dates from 1844...

Commissioned in 2010 to be performed alongside Gabriel Faure's Requiem, and utilizes the same combination of instruments. The texts for Songs for the Journey have a particularly personal nature. The f...

This movement from Songs for the Journey has a text adapted from the poem 'Epitaph' by Merrit Malloy, 'When all that's left of me is love, give me away. ' Duration: 3:00

More Love' is the cornerstone movement of Songs for the Journey, which was commissioned in 2010 to be performed alongside Gabriel Faure's Requiem, and utilizes the same sonorous combination of horns,...

This final movement of the larger work Songs for the Journey is set to the traditional blessing, 'May the road rise up to meet you. '

The Friendly Beasts' portrays the animals who have protected Jesus and Mary during the birth. Each animal proudly takes its turn announcing its contribution. The donkey carried Mary 'up hill and down....

Angels Singing, ' is based on the carol 'Angels We Have Heard on High. ' This new arrangement opens with shepherds (Tenor and Baritone soli) hearing angel voices, 'o'er the mountains, guided by a Holy...

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...

Stephen Chatman's setting of Sara Teasdale's whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The sof...

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale ™s poem, After Love, -There is no magic any more, establishes the theme of vanishing love. Stephen Chatman ™s setting of the poignant text, in the dark key of D flat...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...

Stephen Chatman's setting of Sara Teasdale's whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The sof...

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale's poem, After Love, 'There is no magic any more, ' establishes the theme of vanishing love. Stephen Chatman's setting of the poignant text, in the key of E flat major...