Partiture per coro

Fra Ingenting Et UNIVERS for Choir SATB and 14 musicians (2017) by Niels Marthinsen. Text by Ursula Andkjær Olsen. ' fra ingenting et UNIVERS' was commissioned by the Vocal Ensemble GAIA and Aarhus Si...

Som en hyldest til byens store digter, Thøger Larsen, udskrev Lemvig Museum i 2017 en konkurrence om en ny dansk sommersang, for at medvirker til at holde liv i den danske sangtradition. Nu er de 10 n...

Vagn Nørgaard's 9 Korsange Til Tekster Af Piet Hein for Choir.

Dedicated to Janine Jansen and the Nationaal Vrouwen Jeugdkoor (Netherlands Female Youth Choir) and premiered at the International Kamermuziek Festival Utrecht in December 2019. For SSSAA choir and vi...

Scandinavian Shuffle, by Swe-Danes, expertly arranged for SATB Choir by Jens Johansen.

A moving setting of this George MacDonald text with a dramatic and virtuosic piano accompaniment. Images of nature come to life through expertly-crafted vocal writing and a beautiful melodic line. Thi...

Floating Moon on the Water uses a beautiful text in Taiwanese by Wei-Pin Chen. Using western tonality blended with Taiwanese elements, the melody begins with a touch of sadness and is followed by flow...

Floating Moon on the Water uses a beautiful text in Taiwanese by Wei-Pin Chen. Using western tonality blended with Taiwanese elements, the melody begins with a touch of sadness and is followed by flow...

This lively setting of a beloved Robert Burns poem brings to mind charming images of Scotland. Very achievable and fun with great vocal construction, making this a good option for high school and abov...

A Basque love story that reaches across cultures and backgrounds. The story of the love-sick star is brought to life through Josu Elberdin's rich harmonies and memorable melody. Thick textures and int...

This setting of the traditional folk hymn would work well for church choirs and high school choirs and above. The piano part echoes its expressive intensity and sense of hope and expectation. Nice, ac...

Were You There? is a meditation for baritone and chorus written for American baritone Charles Wesley Evans. The piano accompaniment is a transcription of an improvisation by Patrick Dupré Quigley. Stu...

Humanity is up against a great deal of adversity in these times. Shelter this Candle is a reminder that we are at our best when we are united, not divided. This SATB work is achievable by young choirs...

I Found Night is a pictorial setting of a haunting poem by Greg DiMarco. Darkness and despair can follow us each day, and it is important for us to 'dream the sun, the stars, warmth, and joy. ' A flow...

In Five Sea Songs, five special texts have been brought together to initiate a musical voyage of discovery, fun, and introspection. These wonderful compositions are accessible enough to be performed b...

The choral cycle Scotia Songs uses Scottish folk poetry and tunes, and traces a love story from one who must ultimately leave his beloved Scottish homeland. Set here for choir with marimba, vibraphone...

Visions of a vivid spring are painted into sound with gently rising and falling melodic lines over captivating harmonies. This beautiful arrangement offers many teaching moments for choirs both young...

A haunting setting for womens chorus of texts written by 14th century mystic, Julian of Norwich. A beautifully simple modal melody that has been distributed among different voice parts, making this an...

An SAB version of this wonderful, spirited work. The limited ranges, diatonic harmonies, and a vocal line supported by the accompaniment helps make this work ideal for all levels of SAB choirs.

An incredibly dynamic work for treble choir, On the Strangest Sea is a unique setting of a well-loved text by Emily Dickinson. A driving piano accompaniment, interesting violin part, and beautifully c...

Tom Shelton's arrangement of this beloved bluegrass song will offer a rich experience for singers and audiences. May be performed with piano only or with the additional traditional bluegrass instrumen...

In the suite Villarosa Sequenses, named after one of the seven pieces, the composer uses a language of his own, in which the words have no liguistic meaning. Vocal music on the premises of instrumenta...