Partiture per coro

Need a SAB anthem for Lent or Palm/Passion Sunday? Try this forthright work on an Isaac Watts text.

Recommended by master teacher Jean Ashworth Bartle, this work for three-part treble voices by Canadian composer Ruth Watson Henderson is based on a set of riddles. One part of the chorus sings the rid...

Taken from the book of Matthew, Valerie Showers Crescenz sets the Beatitudes in a work that moves easily through the lengthy text. The moderate ranges and smooth transitions make this piece easily acc...

Composer and church musician Pat Messick has scored an easy festive anthem for general use. Try a portion of it as an introit or use as an introit or use it when you need a simple piece in the summe.

The team of John Parker and David Lantz has provided us with a marvelous work for Lent, Passion/Palm Sunday, general use, or even festival of the Christian home.

Based on a text by Charles Wesley, this piece is suitable for Passion/Palm Sunday or for general use

The hymn tune St. Leonards is not familiar to many. This lovely setting for mixed chorus with organ and flute will help you introduce the tune to your congregation.

Cincinnati composer Howard Helvey has skillfully set this George Herbert text for mixed chorus with piano and optional flute or clarinet. Try it on Christ the King Sunday.

Patrick Liebergen is known for his arrangements of early music. This festive work for mixed chorus with piano and flute comes together quickly.

McCullough is conductor of the Washington D. C. Master Chorale and often composes for his own chorus. This traditional holiday work with harp accompaniment is a true winner!

This is truly a work for advent emphasizing waiting for the promise to come from above. With a great deal of unison writing and simple homophonic textures the lyrical qualities of the piece are elegan...

Creative setting of the traditional carol scored for divisi mixed chorus with piano duet

Based on the familiar hymn tune, Nettleton, try this festival anthem on a Sunday when you want to 'pull out all the stops', it is perfect for music ministry Sunday. Make sure to include the congregati...

Here Ralph Manuel sets the lovely words of St. Francis of Assisi. Whether for general use or peace with justice Sunday, the work is a gripping expression of these timely words.

Traditionally a love song, this air from Northumbria is written for treble voices (SSA) accompanied by piano. Arranged by Samuel Adler, a prolific composer and conductor, it is of medium-easy difficul...

This fine work by Carl Nygard works equally well during Lent or for Communion. Try it with choirs of all sizes!

Linda Marcus and David Lantz have given us a marvelous work celebrating the Season of Light and peace on earth.

Natalie Sleeth has long been appreciated and respected for her melodic gift. Here, David Giardiniere sets the work for mixed chorus with piano or optional small orchestra.

Are you looking for a new anthem to include in next year's lessons and carols? Try this one!

Though occasionally expanding to four voices, this work is primarily two-part mixed. Linda Marcus and David Lantz have produced the perfect piece for a 'bluesy' spring concert (the piano really swings...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The text for these two companion pieces might provide an opportunity to do some teaching on the importance of proper punctuation. For a little comic relief, try this winner with your women's choir.

Looking for a SAB Lenten piece? This selection has an optional tenor part.