Partiture per coro

Molti cantanti conoscono questo brano, poiché veniva spesso cantato a scuola e nei cori popolari. Questa edizione per coro a 3 voci, creata per il Volkschor Thalia Celle e.V., risponde all'attuale car...

for mixed choir and piano

French text by Charles D'Orleans. English words by Nita Cox.

The second in a series of four songs from Brahms' opus 43, which he composed in 1866, at the age of thirty-three. Its form is ternary (ABA) in structure. This composion clearly lifts the folksong-like...

In this first piece of a set called 'Two Pickthall Songs, ' the poet asks the wind to be still, life to be sufficient, and time to be merciful. Each line of the poem is set to its own unique musical p...

The second piece of 'Two Pickthall Songs' suggests that whatever is in our hearts may remain there so that we are never truly parted. The music has three main sections which correspond to the three ma...

The deep beauty of Gregory of Nazianzus ™ text is well-matched in this setting for SATB voices (divisi except for the tenors) and solo viola. The divisi notwithstanding, the music is simple and straig...

Do You Love for Beauty? (Liebst du um Schönheit) is the second of Mahler's Rückert songs arranged by Stanley M. Hoffman for mixed chorus, the first one being Into This World I Came As a Lost One (Ich...

This work was commissioned for and premiered on the 100th Anniversary of the Armistice to WW1, ending the carnage and bringing new hope.

Questo lavoro per coro misto porta con sé un messaggio per la nostra società, affinché continui a lottare per un cambiamento positivo. La sua natura ripetitiva permette all'ensemble di enfatizzare il...

Un'opera di struggente bellezza che cattura l'essenza del risveglio e della trasformazione. Invita gli ascoltatori a un viaggio dalle serene profondità del sonno al vibrante abbraccio della realtà.

Ein Tonbeispiel finden Sie unten in einem Live-Mitschnitt der ev. Jugendkantorei der Pfalz, Dir.: Jochen Steuerwald.

Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral musi...