Oxford University Press spartiti per coro

This publication makes available some of the most renowned and beautiful chants of the Gregorian repertory. All eleven chants have modern notation, with editorial performance suggestions.

A short, simple, but joyful piece that never raises its voice above piano.

This setting is faithful to the original folksong melody 'She's like the Swallow'. The straightforward piano part sets the mood, cleverly supports the voices, and helps illustrate the story of the tex...

This setting of a Catalonian carol is cheerful, tender, and reverent. The interplay of two treble voices with each other and with the transparent orchestration provides many delightful moments. Orches...

The choral writing in this traditional hymn arrangement is straightforward but hugely effective.

From the upper-voice collection Times and Seasons, 'Night/Winter' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are b...

From the upper-voice collection Times and Seasons, 'Evening/Autumn' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

From the upper-voice collection Times and Seasons, 'Midday/Summer' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

From the upper-voice collection Times and Seasons, Morning/Spring' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

The title piece from a collection for upper voices, 'Hark, hark, the lark' is a setting by Alan Bullard of words from Shakespeare's Cymbeline. Scored for upper voices and piano, this serenely pastoral...

Originally published in Five Song for Upper Voices, this piece sets text by the ancient Chinese philospher Lau-Tzu, and explores the the idea that 'all things pass' in this ever-changing world. A cont...

With a text by Coventry Patmore, this short song in simple two part explores the timelessness of truth with a touch of melancholy. Originally published in Five Song for Upper Voices.

From the collection Hark, hark, the lark, 'Come unto these yellow sands' is a setting by Bob Chilcott of words from Shakespeare's The Tempest. This lively piece is scored for upper voices with piano,...

From the collection Hark, hark, the lark, 'Our revels now are ended' is a setting by Bob Chilcott of the famous monologue from Shakespeare's The Tempest. Scored for upper voices with piano, this rhyth...

From the collection For Him all Stars, 'Tomorrow shall be my dancing day' is an arrangement by Malcolm Pearce of the familiar carol. Scored for SA and organ, this accessible version features a support...

Scored for SSA voices and piano, Susa ninna begins and ends as a soothing lullaby, while the second verse reaches an exciting climax expressing the celebration of Christ's birth. English words are pre...

This carol belongs to the genre of folk variations on Lutheran hymns: the original hymn, with a text mostly by Luther, is Gelobet seist du, Jesu Christ. After being translated into Estonian, the text...

Libby Larsen's setting of this traditional Appalachian lullaby is simple and gentle, with the option for solo singing. Originally published in World Carols for Choirs.

Four-piece chamber ensemble accompaniment to Rutter's arrangement in 2/2 time. Pack includes full score and set of parts. Compatible with the mixed voices leaflet, as well as the versions in in 100 Ca...

Four-piece chamber ensemble accompaniment to Rutter's vibrant carol. Pack includes full score and set of parts.

This is a gentle and highly attractive setting of the medieval Latin hymn, suitable for church choirs at any communion service or for Lent, Passiontide, or Corpus Christi. With a delicate expressive m...

A brilliant choral celebration of seven American legends (Phillis Wheatley, George Washington, Jenny Lind, Harriet Beecher Stowe, Clyde William Thornbaugh, Charles Lindbergh, Louis Armstrong). Energet...

A suite of eleven folk-song settings. 6 of the songs are for SATB, 3 for unison upper voices, and 2 for men's voices. The folk-songs may be performed individually, in groups, or as a complete suite.

Four-piece chamber ensemble accompaniment to Rutter's carol arrangement. Pack includes full score and set of parts. Compatible with the accompanied version, available as a leaflet or in the carol coll...

I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowin...