Orchestra jazz e tromba

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Based on the version recorded by Clifford Brown accompanied by strings, this marvelous ballad from 1930 provides your trumpet soloist the perfect opportunity for lyric stylings. The written solo part...

Bess, You Is My Woman Now' is a crucial plot point in George and Ira Gershwin's opera 'Porgy and Bess;' it serves as the moment when the title characters admit and embrace their love for one another....

Gil Evans's arrangement of 'Here Come Da Honey Man' is the shortest track on Miles Davis's 1958 version of 'Porgy and Bess.' In the original opera, it serves as a brief but effective introduction of P...

Much like 'Bess, You Is My Woman Now,' 'I Loves You Porgy' serves as a declaration of love between the title characters of the Gershwin/Heyward opera 'Porgy and Bess.' Gil Evans's arrangement for Mile...

This trumpet feature ballad is a jazz tone poem written in memory of Ashley Alexander and inspired by the last movement of Death and Transfiguration by Richard Strauss. An expressive meditation, the s...

This is a pretty rock ballad that features the lead trumpet. The real high trumpet stuff at the end may be played down an octave. Recorded by the Kubis Big Band on Jazz Musicians Christmas on Sea Bree...