Orchestra d'archi con solista strumentale

Stimmensatz - Oboe I/II, Horn-d I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe

Klavierauszug (zugleich Partitur)

Klavierauszug (zugleich Partitur)

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

Stimmensatz - 5 V I, 5 V II, 3 Va, 5 Vc/Kb - Viola und Streichorchester

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...

Though A.E. Brachvogel's portrayal of the failed genius' in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductiv...

Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...

Dirigierauszug

Stimmensatz - Hn-g I, Hn-g II, 4 V I, 4 Vn II, 2 Va, 4 Vc/Kb - Violine und Streichorchester; 2 Hörner ad lib.

Dirigierauszug

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...

The Spiritual Concerto for violin and string orchestra by Helmut W. May has everything that is necessary to become a repertory piece for -young violin soloists: of medium difficulty, rewarding, despit...

Con questo doppio concerto, l'allieva di Reger Johanna Senfter (1879-1961) si colloca interamente nella tradizione di Antonio Vivaldi e J.S. Bach, pur combinando la forma del concerto con quella class...

Stimmensatz - je 1x Violine 1 bis 8, je 1x Viola 1 und 2, je 1x Violoncello 1 und 2, 1x Kontrabass