Orchestra d'archi con canto

Written for the Hilliard Ensemble and the strings of the Norwegian Chamber Orchestra, the composer sets two texts from St. Columba about the power of the human voice. The work is divided into two part...

Orchestration Solo voice or instrument (Parts provided for voice, instrument in treble clef in C, Bb, Eb, F and bass clef) Strings (Violin 1, Violin 2, Viola, Cello %26 Bass) Harpsichord Dido's lament...

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string o...

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string o...

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string o...

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string o...

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string o...

With words by Thomas Broughton. Performing edition by Peter Jones.

With words by Thomas Broughton. Performing edition by Peter Jones.

With words by Thomas Broughton. Performing edition by Peter Jones.

With words by Thomas Broughton. Performing edition by Peter Jones.

The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on a smaller and more intimate scale. Together with the Fantasia on a Theme of Thomas Tallis these form a succession of wo...