Opere strumentali classiche per Orchestra

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.

Stimmensatz - Flöte I; Flöte II; Fagott; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester

Stimmensatz - Flöte; 2 Oboen I/II; 2 Klarinetten I/II; 2 Fagotte I/II; 2 Hörner I/II; 4 Violinen I; 4 Violinen II; 4 Violoncelli/Kontrabässe

Stimmensatz - Flöte I; Flöte II; Klarinette I; Klarinette II; Fagott I; Fagott II; Horn I; Horn II; Trompete I; Trompete II; Pauke; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the "Suite französischer Tänze" with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

The suite from the cycle 'Plöner Musiktag' (1932) was structured according to the exact instrumentation directions of the composer and completed with a percussion part ad lib. Particular attraction is...