Mark Taylor: spartiti medio

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!