Mark Taylor: spartiti medio

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

No one handles Ellington for younger ensembles better than Mark Taylor, and this well-crafted arrangement shows why. Although Mark uses a written trumpet solo on the bridge, the main theme is handled...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...