Mario Castelnuovo-Tedesco: spartiti medio

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

The transcriber of this version, guitar lecturer and distinguished teacher Ron Purcell, studied composition with Castelnuovo-Tedesco. This version of the beautiful Fuga Elegiaca for guitar duo in memo...

The transcriber of this version, guitar lecturer and distinguished teacher Ron Purcell, studied composition with Castelnuovo-Tedesco. This version of the beautiful Fuga Elegiaca for guitar duo in memo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Divided into three sections, this wordless melody opens with a 'sad and impassioned' chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows, in which a 'lively and stu...

Mario Castelnuovo-Tedesco composed 52 Greeting Cards for various instruments between 1953 and 1967, collectively catalogued as opus 170, which he developed in a non-systematic manner up to the year be...

The Sonatina canonica for two guitars, opus 196, by Mario Castelnuovo-Tedesco (1895 1968) was composed in 1961 for the legendary guitar duo formed by Ida Presti (1924 1967) and Alexandre Lagoya (1929...

In 1928, Amédée-Landély Hettich, a vocal teacher in Paris, asked Castelnuovo-Tedesco to write a vocalise for the Répertoire moderne de Vocalises-Études, the publication of which he was supervising at...

In 1928, two years after publishing the Dances of King David, he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich, who wanted to include it i...

L'edizione del curatore Ragossnig (fuori catalogo) è stata sostituita dall'edizione dei curatori Frédéric Zigante e Gianluca Nicolini (Edizione Max ESCHIG DURAND - DF 16456).

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...