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Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...
Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...
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Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...
Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...
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Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, the composer conducted the orchestra of...
Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, the composer conducted the orchestra of...
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- Marco Tamanini
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Scherzo d'apres une ballade de Goethe Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, t...
Scherzo d'apres une ballade de Goethe Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, t...
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George Gershwin's opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...
George Gershwin's opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...
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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...
Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...
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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...
Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...
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- Jos van de Braak
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The African-American ragtime composer Scott Joplin composed his opera Treemonisha in 1910 but it was not performed in its entirety until 1970, when the piano score was rediscovered. The music of Treem...
The African-American ragtime composer Scott Joplin composed his opera Treemonisha in 1910 but it was not performed in its entirety until 1970, when the piano score was rediscovered. The music of Treem...
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- Gerhart Drijvers
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Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. The polka-mazurka Stadt und Land, Opus 322 is a beautiful example of S...
Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. The polka-mazurka Stadt und Land, Opus 322 is a beautiful example of S...
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Karl Millöcker (1842-1899) was one of Johann Strauss II's greatest rivals in his lifetime, but his music is almost unknown in England. Der Bettelstudent (The Beggar Student) is an operetta in three ac...
Karl Millöcker (1842-1899) was one of Johann Strauss II's greatest rivals in his lifetime, but his music is almost unknown in England. Der Bettelstudent (The Beggar Student) is an operetta in three ac...
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- Jos Dobbelstein
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Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
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Tenor ana Concert Band. Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Pagan...
Tenor ana Concert Band. Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Pagan...
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Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Paganini tells of the legenda...
Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Paganini tells of the legenda...
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- Jos Dobbelstein
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Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
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- Roger Niese
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As many may be aware, Emile Waldteufel rivaled Johann Strauss II in the genre of the waltz. But unlike Strauss, many of Waldteufel's popular waltzes were arrangements of folk themes or themes by other...
As many may be aware, Emile Waldteufel rivaled Johann Strauss II in the genre of the waltz. But unlike Strauss, many of Waldteufel's popular waltzes were arrangements of folk themes or themes by other...
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Tristsch Tratsch era una rivista satirica di Vienna. Nel 1858 pubblicò un profilo di Johann Strauss: si temeva, si diceva, che le stagioni concertistiche di Strauss in Russia e lo sviluppo del suo sti...
Tristsch Tratsch era una rivista satirica di Vienna. Nel 1858 pubblicò un profilo di Johann Strauss: si temeva, si diceva, che le stagioni concertistiche di Strauss in Russia e lo sviluppo del suo sti...
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Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with "Deep Purple", as well a...
Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with "Deep Purple", as well a...
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Jon Lord (1941 - 2012) è stato un compositore, pianista e suonatore di organo Hammond inglese, noto per il suo lavoro pionieristico nel fondere il rock con forme classiche o barocche, in particolare c...
Jon Lord (1941 - 2012) è stato un compositore, pianista e suonatore di organo Hammond inglese, noto per il suo lavoro pionieristico nel fondere il rock con forme classiche o barocche, in particolare c...
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- Jos van de Braak
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Rosen aus dem Süden (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin inspired by a novel by Heinrich Bohrmann-R...
Rosen aus dem Süden (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin inspired by a novel by Heinrich Bohrmann-R...
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Soprano, coro e banda sinfonica L'operetta più amata di Emmerich Kalman, "Die Csardasfürstin", fu rappresentata per la prima volta al "Johann Strauss-Theater" di Vienna nel novembre 1915. Solo nei Pa...
Soprano, coro e banda sinfonica L'operetta più amata di Emmerich Kalman, "Die Csardasfürstin", fu rappresentata per la prima volta al "Johann Strauss-Theater" di Vienna nel novembre 1915. Solo nei Pa...
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Soprano e ensemble di fiati Il compositore austriaco Carl Zeller (1842-1898) ha contribuito in larga misura alla gloria dell'epoca d'oro dell'operetta viennese, in cui Johann Strauss jr., Franz von Su...
Soprano e ensemble di fiati Il compositore austriaco Carl Zeller (1842-1898) ha contribuito in larga misura alla gloria dell'epoca d'oro dell'operetta viennese, in cui Johann Strauss jr., Franz von Su...
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Soprano, tenore, coro e banda sinfonica Il compositore austriaco Carl Zeller (1842-1898) ha contribuito in larga misura alla gloria dell'epoca d'oro dell'operetta viennese, in cui Johann Strauss jr.,...
Soprano, tenore, coro e banda sinfonica Il compositore austriaco Carl Zeller (1842-1898) ha contribuito in larga misura alla gloria dell'epoca d'oro dell'operetta viennese, in cui Johann Strauss jr.,...
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Due tenori e banda sinfonica Il compositore austriaco Carl Zeller (1842-1898) ha contribuito in larga misura alla gloria dell'epoca d'oro dell'operetta viennese, in cui Johann Strauss jr., Franz von S...
Due tenori e banda sinfonica Il compositore austriaco Carl Zeller (1842-1898) ha contribuito in larga misura alla gloria dell'epoca d'oro dell'operetta viennese, in cui Johann Strauss jr., Franz von S...
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- Douglas McLain
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